

LIBRARY 

OF THE 

Bureau of nmerfean Repuuiics. 


Case .. . Shelf _ 

Number _.... 

1-10 __ 

Q ZD 



Gass_ 1 s Q 


Book . 


OFFICIAI. DONATION. 



































' 




* 




































■ 

























































SPECIMENS 


OF THF 


(OB ROOM TYPES, 


Government Printing Office. 


i 891. 










JOB ROOM 

GOVERNMENT PRINTING OFFICE. 
1891 . 


L5 1905 
D. ot D, 













Modern and Old Style Faces. 


F., L. it Co. 

Si'ARCKLY two works out of ten are sent properly prepared to the press ; either the writing is illegible, the spelling incorrect, or the punctuation defective. The compositor has often to read sentences 
of his copy more than once before he can ascertain what he conceives to be the meaning of the author, that he may not deviate from him in the punctuation ; this retards him considerably. But here it does not 
end lie and the corrector of the press, though, perhaps, both intelligent and judicious men, differ in that which few are found to agree, and the compositor has to follow either his whim or better opinion. The 
proof goes to the author—he dissents from them both, and makes those alterations in print which would have rendered his manuscript copy correct. 

I lie late Dr. Hunter, in reviewing a work, had occasion to censure it for its improper punctuation. He advises authors to leave the pointing entirely to the printers, as from their constant practice they 
must have acquired a uniform mode of punctuation. We are decidedly of this opinion : tor unless the author will take the responsibility of the pointing entirely on himself, it will be to the advantage of the 


Pkarl Roman. 


Tiikee-nick. 


MacK., S. & J. Nonpareil Roman No. 5. Three-nick. 

Scarcely two works out of ton an* sent properly prepared t<> the press; either the writing is illegible, the spelling incorrect, or the punctuation defective. The 
compositor has often to read sentences of his copy more than once before he can ascertain what he conceives to he the meaning of the author, that he may not deviate from 
him in the punctuation ; this retards him considerably. But here it does not end—he and the corrector of the press, though, perhaps, both intelligent and judicious 
men, differ in that which few men are found to agree, apd the compositor has to follow either his whim or better opinion. The proof goes to the author—he dissents 
from them both, and makes those alterations in print which would have rendered his manuscript copy correct. 

The late I)r. Hunter, in reviewing a work, had occasion to censure it for its improper punctuation. He advises authors to leave the pointing entirely to the 


M., L. & Co. Nonpareil Roman No. 16. Three-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the writing is illegible, the spelling incorrect, or the punctuation 
defective. The compositor has often to read sentences of the copy more than once before he can ascertain what he conceives to be (he meaning of the 
author, that he may not deviate from him in tlie punctuation; this retards him considerably. But here it does not end—he and tlie corrector of the press, 
though, perhaps, both intelligent and judicious men. differ in that which few are found to agree, and the compositor has to follow either his whim or 
better opinion. The proof goes to the author—he dissents from them both, and makes those alterations in print which would have rendered his 
manuscript copy correct. 


MacK., S. & J. Nonpareil Roman No. 8. Two-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the writing is illegible, the spelling incorrect., or the 
punctuation defective. The compositor has often to read sentences of his copy more titan once before he can ascertain what lie conceives to 
be the meaning of the author, that lie may not deviate from him in the punctuation; this retards him considerably. But here it does not end- 
lie and the corrector of the press, though, periiaps, both intelligent and judicious men, differ in ttiat which few men are found to agree, and 
the compositor lias to follow either his whim or better opinion. The proof goes to the author—he dissents from them both, and makes those 
alterations in print which would have rendered his manuscript copy correct. 


Ryan. Brevier Roman No. 5. Two nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the writing is illegible, the spelling 
incorrect, or the punctuation defective. The compositor has often to read sentences of his copy more than once before he can 
ascertain what he conceives to he the meaning of the author, that he may not deviate front him in the punctuation; this retards 
him considerably. But here it does not end—he and the corrector of the press, though, perhaps, both intelligent and judicious 
men, differ in that which few are found to agree, and the compositor has to follow either his whim or better opinion. The 


M.. L. & Co. Long Primer Roman No. 17. Tiiree-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the writing; is illegible, 
the spelling incorrect, or the punctuation defective. The compositor lias often to read sentences of his 
copy more than once before he can ascertain what lie conceives to be the meaning of tlie author, that lie 
may not deviate from 1dm in the punctuation; this retards him considerably. But here it does not end 


MacK., S. & J. Small Pica Roman No. 10. Three-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the writing is illegible, 
the spelling incorrect, or the punctuation defective. The compositor has often to read sentences of his copy 
more than once before he can ascertain what he conceives to be the meaning of the author, that lie may not 
deviate from him in the punctuation; this retards him considerably. But here it does not end — he and the 


































MODERN AND OLD STYLE FACES. 


MacK., S. & J. Pica Roman No. 12. Two-nick. 

Scarcely two works out of ten are sent, properly prepared to the press; either the 
writing is illegible, the spelling incorrect, or the punctuation defective. The compositor 
has often to read sentences of his copy more than once before he can ascertain what he 


MacK., S. & J. English Roman No. 4. Two-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either 
the writing is illegible, the spelling incorrect, or the punctuation defective. The 
compositor has often to read sentences of his copy more than once before he can 


MacK.. S. & .). 


Gkkat Primer No. 3. 


Two-nick. 


the 


Scarcely two works out of ten are sent properly prepared to 
press: either the writing- is illegible, the spelling incorrect, or 


K., L. & Co. Brevier Old Style No. 4. Tiikee-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the writing is illegible, the spelling incorrect, or 
the punctuation defective. The compositor has often to read sentences of his copy more than once before he can ascertain what he 
conceives to be the meaning of the author, that he may not deviate from him in the punctuation; this retards him considerably. But 
here it does not end—he and the corrector of the press, though, perhaps, both intelligent and judicious men, differ in that which few 
are found to agree, and the compositor has to follow either his whim or belter opinion. The proof goes to the author—he dissents 


F., L. & Co. Long Primer Old Style No. 4. Three-nick. 

Sc vrcely two works out of ten are sent properly prepared to the press; either the writing is 
illegible, the spelling incorrect, or the punctuation defective. The compositor has often to read 
sentences of his copy more than once before he can ascertain what he conceives to be the meaning of the 
author, that he may not deviate from him in the punctuation; this retards him considerably. But 


MacK., S. & .1. Pica Old Style No. 2. Two-nick. 

Scarcely two works out of ten are sent properly prepared to the press; either the 
writing is illegible, the spelling incorrect, or the punctuation defective. The compositor has 
often to read sentences of his copy more than once before he can ascertain what he conceives 

MacK., S. & J. English Old Style No. 2. Three-nick. 

Scarcely two works out of ten are sent properly prepared to the press; 
either the w riting is illegible, the spelling incorrect, or the punctuation defective. 
I he compositor has often to read sentences more than once before he can 

MacK.. S. & J . Great Primer Old Style No. 4. Two-nick. 

Scarcely two works out of ten are sent properly prepared to the 
press; either the writing is illegible, the spelling incorrect, or the 























MODERN AND OLD STYLE ITALIC FACES. 


MacK., S. & J. Nonpareil Modern Italic No. 5. Thkee-nick. 

Sctirvely t/vo works out of ion arc sent jirign-vlg prepared to the press ; either the ivriting is illegible, the spelling incorrect, in - the pnw-tnatinn defeetire. The compositor has often 
to rend sentences of his copt/ more than once before he enn ascertain irhnt he conceives to be the meaning of the author, that he mat/ not deviate from him itt the punctuation ; this 
retards him considerable/, lint here it iit» s not tml —■ he anti the corrector of the press, though, perhaps, Ito/li intelligent anil jtnlicions nteti. differ in that tvhieh fete are found to 


MacK., S. & .1. Nonpareil Modern Italic No. k. Two-nick. 

Scarcely two works out oj tan arc seal properly prepared to the press; either the teriUny is illegible , the spelling incorrect, or the punctuation 
tlcfeclirc. The compositor has often to read sentences of his copy more than once before he can ascertain what he conceives to be the meaning of the 
author, that he may not. deriate from him in the punctuation: this retards him consid/rably, lint here it dors no/ end — he and the corrector of the 


Ryan. Brevier Modern Italic No. 5. Two-nick. 

Scarcely two works out of ten are sent properly prepared to tin press ; either the writing is illegible, the spelling incorrect, or I lie 
punctuation defective. The compositor has often to read sentences of his copy more than once before he can ascertain what he contrives to he 
the meaning of the author, that hr may not deriate from hint itt the punctuation : this retards him considerably. lint here it tines not end — 


F., L. & Co. Brevier Old Style Italic No. 4. Three-nick. 

Scarcely two works oat of ten are sent properly prepared to the press: either the writing is illegible, the spelling incorrect, or the 
punctuation defective. The compositor has often to read sen’rnces of his copy more than once before he can ascertain what he conceives to 
be the meaning of the author, that he may not deviate from him in the punctuation: this retards him considerably. But here it docs not 


MacK., S. & .J. Long Primer Oi.d Style Italic No. 4. Three-nick. 

Scarcely two works out of ten are sent properly prepared to the press ; either the writing is illegible, the spelling 
incorrect, or the punctuation defective. The compositor has often to read sentences of his copy more than once before 
he can ascertain what he conceives to be the meaning of the author, that he may not deviate f rom him in the punctu- 


MacK., S. & .1. Small Pica Modern Italic No. 10. Thkee-nick. 

Scarcely two work * out of ten are sent property prepared to the press ; either the writing is illegible, the spell¬ 
ing incorrect, or the punctuation defective. The compositor has often to read sentences of his copy more than once 
before hr can ascertain what he conceives to be the meaning of the author, that he may not deviate from him in the 


MacK., S. <fc J. Pica Modern Italic No. 12. Two-nick. 

Scarcely tiro works out of ten are sent properly prepared to the press; either the writing is 
illegible, the spelling incorrect, or the punctuation defeetire. The compositor has often to read 

MacK., S. A .1. Pica Old Style Italic No. 2. Two-nick. 

Scarcely two works out of ten arc sent properly prepared to the press; cither the writing 
is illegible, the spelling incorrect, or the punctuation defective. The compositor has often to read 

MacK., S. A .1. English Modern Italic No. 4. Two-nick. 

Scarce ly two works out of ten ore sent properly prepared to the press; either the 
writing is illegible, flu 1 spelling incorrect, or the punctuation defective. The compositor 

MacK., S. A J. English Old Style Italic No. 2. Three-nick. 

Scarcely two works out of ten are sent properly prepared to the press ; either 
the writing is illegible, the spelling incorrect, or the punctuation defective. The 























6 




































SCRIPTS AND TEXTS. 


Double Small Pica Caligraph. 


Caps, Lower Case, and Figures. ^ 

1 ’ ’ ° Cabinet 


Bruce. 


^ll* /TOCM fVJuLo i«!>l MwAf'ijAu Vu\i> \.W]^ AwIucL SA)«IY\K»V\A <j/y\A S*,^ To 


1 9 

Case Nos. 

291, 292. 


Great Primer Round Face Script. 


Caps, Lower Case, and Figures. 


F„ L. & Co. 


Case Nos. 


&/(A -jhj/i"/av- Oicm/nev -iibct>or/ o) Actuated on Y/e 3 2 


93 , 294 . 


Double Pica Round Face Script. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


yc/u/ t/e fij’omtde ojf time ulou/ch he 


Great Primer Hancock Script. 


MacK., S. 

& J. 


Caps, Lower Case, and Figures. 

Yo <=YjYY< tariyel-± ^-Yc/ittliYy^ ^OfttyttaenYance-i /ot / 3 'J 


Cabinet 18. 
Case Nos. 
279, 280. 

Cabinet 20. 
Case Nos. 
3 ° 3 > 3 ° 4 - 


Double Small Pica Hancock Script. 


Caps. Lower Case, and Figures. 


MacK., S. 


Case Nos. 


& J <=QPchttice, anrh jhhjhie hi ft lie A ^oi, .— hfio //my aruh you hh , os . 0 6 


F., L. & Co. 


Long Primer Pen Text. Caps, Lower Case, and Figures. 

Cl s' ‘Si me ix ttie Trol’lW of 'I'Pacp, ciub Tu - : lex tfi* ^Wozl’8 
CCiH’i li i.' oHufex, ft <2 uc all ‘lgo-8cui lo Hie au8 ‘feo-morsou’ lie 'fromixcb 12 


Pica Pen Text. 


Caps, Lower Case, and Figures. 


1 ., L. & C14. ^f vc j)- 00 ( , <>> Clf Jural' fic- -ma-be- ^au-gftl' 6ut ‘Oo-baij, lullfv il'a Tjotp 35 


Great Primer Pen Rent. 


Caps, Lower Case, and Figures. 


I., L. & Co. §1i-ccesoeo cutb Sot'toic, Ificit to liecp on 6 ]oo 5 Cvtnnx 26 


Cabinet 27. 
Case 
No. 414. 

Case 

No. 415. 

Case 

No. 416. 


F., L. & Co. 


Double Small Pica Pen Text. 


Caps, Lower Case, and Figures. 


Case 


f'fi ■ I’fie ^IVo'cib 'iTzomiocb cKc 6 mci\\e 2 \9 no. 4I7 

A'- 


Double English Pen Text. 


Caps, Lower Case, and Figures. 


F„ L. & Co 


0 ^o-MLor Toiu Jor 'Col’ie dl ool'o. 54 


Case 

No. 418. 


7 



























Bruce. 


MacK., S. 
& J. 


MacK., S. 

& J. 

MacK., S. 

& J- 


MacK., S. 

& J. 


F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


MacK., S. 
& J. 


LIGHT-FACE ITALIC IS. 


Long Primer Hairline Italic. Caps, Lower Case, and Figures. Cabinet 16. 

80 THIS KJH&HT Iff JHIM-OV Case 

Went gaily to the Fray ; He fought the fight, hut ere the flight His Soul had (Passed No. 242. 


Pica Hairline Italic. 


Caps, Lower Case, and Figures. CABINET 29 


Love cund (P~ride of The fTmerioccn Society ^ffoman. 


Case 
No. 459. 


Long Primer Circular. Caps, Lower Case, and Figures. Cabinet' 16 

To be completely successful in any (Business Enterprise the undertaker must be Case 

thoroughly in earnest and a Master of his Trade. $ij),ooo.g8. i4fgf6 r ]8go No. 239. 


Pica Circular. 


Caps, Lower Case, and Figures. CABINET' •» 

Case 


One Szoct 1 lO ta (Does not marc ci Snmmci . (/1 .1 a Iiot ........t.' .., act .. 


No. 31. 


Great Primer Circular. 


Caps, Lower Case, and Figures. Cabinet 16. 


Eome are LBorn to Greatness, some have greatness 126 


Brevier Latin Italic No. 2. 


LOVE AND PRIDE OF THE AMERICAN SOCIETY WOMAN. 

The American lady loves beautiful surroundings, and takes great pride in wearing elegant underclothing 

Long Primer Latin Italic No. 2. Caps, Lower Case, and Figures. 

DAINTY NOVELTIES FOR COUNTRY TOURISTS. 

A sandwich of two outer layers of feminine humanity, center inclosure, ugly masculinity 


Case Nos. 
243. 244. 


Case Nos. 


Pica Venetian No. 2. Caps, Lower Case, and Figures. 

/Success in ordinary business undertcUcinas whether it be (Printina 
Office or ana other hind of'easiness, it should be well If offOf 890 ~ 4 °’ 24 '* 


Caps, Lower Case, and Figures. Cabinet 17 


Case Nos. 
255, 256. 

Case Nos. 
257. 25.s. 


Pica Latin Italic No. 2. 


Caps, Lower Case, and Figures. 


Not a single Apache could be seen, but every bush and boulder seemed S 


Case Nos. 


259, 260. 


Great Primer Latin Italic No. 2. 


Caps, Lower Case, and Figures. 


Grand Excursion to the Green Lawns of Marshall Hall 


Case Nos. 
261, 262. 


Great Primer Italic No. o. 


Caps and Lower Case. CABINET 2 - 


Never take the Horseshoe from the Door. Hod Luck 


Case Nos. 
348, 349- 


8 
















F., L. & Co. 

F., L. & Co. 

F„ L. & Co. 

MacK., S. 

& J- 

F., L. & Co. 

MacK., S. 

& J- 

MacK., S. 

& J- 

MacK., S. 

& J- 

F., L. & Co. 

F„ L. & Co. 

F., L. & Co. 

F., L. & Co. 


LIGHT-FACE ITALICS. 


Brevier Law Italic. Caps, Lower Case, and Figures. 

W'HAT ARE )’ 0 U GOING TO OO ABOUT IT 
An Important Conundrum the Correct Solution of irhich is often most 12 


Long Primer Law Italic. Caps, Lower Case, aiul Figures. 

SEEKT.YG RELIEF FROM BOREDOM 
A Three Months' Tour in the Wild Western Mountains A67 


Pica Law Italic. 


Caps, Lower Case, and Figures. 


Blow Winter Wind , Thou art not so TJnhind 123If567 


Brevier Gothic Italic Condensed. 


Caps, Lower Case, and Figures. 


WHEN TRADE GREW SLACK AND BILLS FELL DUE 

The Trade swan’s Face Grew Long and Blue: His Dreams were Troubled by Sheriffs. 23 


Long Primer Gothic Italic Condensed 


Caps, Lower Case, and Figures. 


NOT A DRUM WAS HEARD. NOT A FUNERAL NOTE 

/Is his Corpse to the Rampart we Hurried, not a Soldier Discharged 12456 


Pica Gothic Italic Condensed. 


Caps, Lower Case, and Figures. 


A Farewell Shot o'er the Grave where our Hero was Buried. 3 


Two-line Brevier Gothic Italic Condensed. 


Caps, Lower Case, and Figures. 


E/lsworlh the Noble. Brave, and True. Alexandria, Va. 


Two-i.ine Long Primer Gothic Italic Condensed. 


Caps, Lower Case, and Figures. 


The Best Plan Now is to Advertise Freely 3 


Case 
On Stand. 


Case 
On Stand. 

Case 

On Stand. 


Cabinet 27. 
Case 
No. 425. 

Case 
No. 426. 

Case 
No. 427. 

Case 
No. 428. 

Case 
No. 429. 


Great Primer Oi.d Style Italic. 


Caps, Lower Case, and Figures. 


Thou art Iloly and Calm , Thy Soft Deny Breath 


Double Small 1’ica Old Style Italic. 


Caps, Lower Case, and Figures. 


Fills worn brow with Balmy Sleep j 


Double English Old Style Italic. 


Friends Tried and True 


Caps, Lower Case, and Figures. 

9 


Four-line Pica Old Style Italic. 


Caps, Lower Case, and Figures. 


The Horn Sounds 8 



9 















HEAVY-FACE ITALICS. 


MacK., S. 
& J. 


MacK., S. 

& J. 


MacK., S. 

& J. 


F., L. & Co. 


Brevier Gothic Italic. Caps, Lower Case, and Figures. 

THE MELANCHOLY DAYS ARE COME. THE SADDEST OF THE YEAR. 

Of wailing Winds, and naked Woods, and Meadows brown and sear. Where are the Flowers 12345678 


Cabinet 16. 
Case Nos. 
25L 252- 


Small Pica Gothic Italic No. 2. Caps, Lower Case, and Figures. 

MEN OF REAL MORAL PRINCIPLE COMMAND THE 

Spontaneous homage of mankind. It is natural to feel attracted to them, to look up 


Double Small Pica Gothic Italic. Caps, Lower Case, and Figures. 

Comical Chinamen with Artistic Costumes 1234 


Nonfaueil Title Italic. Caps, Lower Case, and Figures. 

A POLICEMAN FINDS SOME I A LVA7U.E CLUES WHILE ASLEEP. 

IF /life he slept his brain took up the threw! of his trakini / thouyhts , and like a /lash it came to hint 


F., L. & Co. 


Brevier Title Italic. Caps, Lower Case, aud Figures. 

THE SHADOWS OF DEPARTED HOURS 
Evert/ Moment, TAghtlg Shaken, runs itself in Golden Sand Harmonies Ilf) 


Cabinet 28. 
Case Nos. 
434 - 435 - 

Cabinet 16. 
Case Nos. 
253, 254. 

Cabinet 17. 
Case 
No. 263. 

Case 

No. 264. 


F., L. & Co. 

Long Primer Title Italic. Caps, Lower Case, and Figures. 

’T 1 S THREE DAYS SINCE 1 IE TASTED FLESH, 

Hut to-morrow he shall break his fast upon yours, and a 18 ft 

Case 

No. 265. 

MacK., S. 

& J. 

Nonpareil Full Face Italic on Small Pica Body. Caps, Lower Case, and Figures. 

THE SHOE It EDGE OE II IT IPOX THINGS POLITICAL 

The spirit of heartless jest inf/ at the e.rpense of others is the very essence 

Cabinet 28. 

Case Nos. 

432 , 433 - 

F., L. & Co. 

Pica Italic No. 4. Caps, Lower Case^ aud Figures. 

Dain ty meat for him ye trill be. If ye are beasts .7 

Cabinet 17. 

Case 

No. 266. 

MacK., S. 

& J. 

Great Primer Italic No. 4. Caps, Lower Case, and Figures. 

Planked Shad Dinner at Marshall Hall. Shad 

Case 

No. 267. 

MacK., S. 

& J. 

Double Small Pica Italic No. 2. Caps, Lower Case, aud Figures. 

The Flowers that Bloom in the Spring 

Case 

No. 268. 


Double English Itai.ic No. 3. 


MacK., S. 

& J- 


Caps, Lower Case, and Figures. 


Brim/ Promise of Merry Sun 


Case 

No. 269. 


Double Great Primer Italic No. 3 

MacK., S. 

& J. > 


Caps, Lower Case, and Figures. 


Summer Opera Season 


Case 

No. 270. 


10 










































F., L. & Co. 

CELTICS. 

Nonpareil Light-eace Celtic. Caps, Lower Case, and Figures. Cabinet 2. 

THE WORLD IS FULL OF FOOLS, Case 

And he who would not wish to see one must not only keep away from the mirror 1,2 No 25 . 

• F., L. & Co. 

Brevier Light-face Celtic. Caps, Lower Case, and Figures. 

THE WORLD IS FULL OF FOOLS, 

And he who would not wish to see one must not only 1 , 2, 3, 4, S, 6, 7 

Case 

No. 26. 

Case 

No. 27. 

F., L. & Co. 

Long Primer Light-Face Celtic. Caps, Lower Case, and Figures. 

THE WORLD IS FULL OF FOOLS, 

And he who would not wish to see one must not only 1 89 1 

F., L. & Co. 

Pica Light-face Celtic. Caps, Lower Case, and Figures. 

Case 

The World is full of Fools, and he who would not No. 28. 

F., L. & Co. 

7 — 

Great Primer Light-face Celtic. Caps, Lower Case, and Figures. 

The World is full of Fools, and he 

Case 

No. 29. 

F., L. & Co. 

Double Small Pica Light-face Celtic. Caps, Lower Case, and Figures. 

Case 

The World is full of Fools 

F., L. & Co. 

Nonpareil Cei.tic No. 2. Caps and Figures. 

THE WORLD IS FULL OF FOOLS AND HE WHO WOULD NOT WISH TO SEE ONE MUST NOT 

Cabinet 3. 

Case 

No. 33. 

F., L. & Co. 

Minion Celtic No. 2. Caps and Figures. 

Case ; 

THE WORLD IS FULL OF FOOLS, AND HE WHO WOULD NOT WISH 

No. 34. 

Brevier Celtic No. 2. Caps and Figures. 

Case 

F., L. & Co. 

THE WORLD IS FULL OF FOOLS, AND HE WHO WOULD No. 33. 

F., L. & Co. 

Long Primer Celtic No. 2. Caps and Figures. 

THE WORLD IS FULL OF FOOLS, AND HE 1891 

Case i 

No. 34. 

F., L. & Co. 

Pica Celtic No. 2. Caps and Figures. 

THE WORLD IS FULL OF FOOLS, AND 

Case 

No. 35. 





























CELTICS AND LIGHT FACES. 

F., L. A to. 

Great Primer Celtic No. 2. Caps and Figures. 

THE WORLD IS FULL OF 56 

Cabinet 3. 

Case 

No. 36. 

F., L. & Co. 

Two-line Pica Celtic. Caps and Figures. 

THE WORLD IS FULL 

Case 

No. 37. 

F., L. & Co. 

Nonpareil Ligiit-face. Caps, Lower Case, and Figures. 

POINTS ARE NOT OF EQUAL ANTIQUITY WITH 

Printing, though not long after its invention the necessity of introducing stops or pauses 

Cabinet 4. 

Case 

No. 52. 

F., L. & Co. 

Brevier Light-face. Caps, Lower Case, and Figures. 

POINTS APE NOT OF EQUAL ANTIQUITY 

with. Printing, though not long after its invention the necessity of 1891 

Case 

No. 53. 

F., L. & Co. 

Long Primer Light-face. Caps, Lower Case, and Figures. 

POINTS ARE NOT OF EQUAL ANTIQUITY 

with Printing', though, not long after its invention the 1679 

Case 

No. 54. 

F.. L. & Co. 

Pica Light-face. Caps, Lower Case, and Figures. 

Points are not of Equal Antiquity with Printing, but 1:2 

Case 

No. 55. 

F., L. & Co. 

Great Primer Light-face. Caps, Lower Case, and Figures. 

Points are not of Equal Antiquity with 

Case Nos. 

5 6 - 57 - 

F„ L. & Co. 

Double Small Pica Light-face. Caps, Lower Case, and Figures. 

Points are not of Equal Antiquity 

Case Nos. | 

58 , 59 - 

F., L. A Co. 

Double English Light-face. Caps, Lower Case, and Figures. 

Points are not of Equal 1ST 

Case Nos. 

60, 61. 

F., L. A Co. 

Double Great Primer Light-face. Caps, Lower Case, and Figures. 

Points are not of Equal ? 

Case Nos. 

62, 63. 


























TjKtTTT faces. 

F., L. & Co. 

Nonpareil Light-face Extended. Caps, Lower Case, and Figures. 

the world is full oe fools, 

-Aoirl lie who would not wish to wee one must not only 1, S, 3, 4, o, (J, ~ 

Cabinet y 

a' 

Case 

No. 38. 

Brevier Light-face Extended. Caps, Lower Case, and Figures. 

Case ' 

F., L. & Co. THE WORLD IS FULL OF FOOLS, 

And ho who would not wish lo soe one must not only )22 - s '° i') 

F., L. A* Co. 

F., L. A Co. 

Long Primer Light-face Extended. Caps, Lower Case, and Figures. 

TLIE WORLD LS LULL OF FOOLS, 

-A_nd he who would not wish, to see one must *78 

Pica Light-face Extended. Caps, Lower Case, and Figures. 

Th.e AYorld is lull oF Fools, and He 

Case 

No. 40. 

Case 

No. 41. 

F., L. & Co. 

Great Primer Light-face Extended. Caps, Lower Case, and Figures. 

The "World is Lull of 90 

Case 

No. 42. 

MacK., S. 

& J. 

Two-i.inf. Pearl Light-face No. 2. Caps and Figures. 

THEIR COUNTRY’S GREAT JOY AND PRIDE 1776-91 

Cabinet 12. 

Case 

No. 175. 

MacK., S. 

& J- 

Two-line Nonpareil Light-facf. No. 2. Caps and Figures. 

UNITED STATES GOVERNMENT PRINTERS 181 

Case 

No. T76. 

Two-i.ine Brevier Light-face No. 2. Caps and Figures. 

MacK., S. 

*j. TODDY DROPS, JUST DISTILLED 

Case 

No. 175. 

MacK., S. 

& J. 

Two-i.ine Long Primer Light-face. Caps and Figures. 

MY FACE IS MY FORTUNE 7 

Case 

No. 1 77. 

MacK., S. 

& J- 

Two-line Pica Light-face. Caps and Figures. 

G. P. 0. BALL LEAGUE 

Case 

No. 178. 

MacK., S. 

& J. 

Two-i.ine English Light-face. Caps and Figures. 

THE FARMERS’ JOY 19 

Case 

No. 176. 


'3 
















LIGHT FACES. 


MacK., S. 

& J- 


MacK., S. 

& J. 


F., L. & C 


(>. 


Minion Hairline. 


Caps, Small Caps, Lower Case, and Figures. 


In His Sanotom, Cold and Dreary, sat the Editor Weak and Weary, 

Pondering over Memorandum Books of Items used before. A Voice is Heard, 'tis the Foreman's, Copy 


Cabinet 29. 
Case 
No. 452. 


Bourgeois Hairline. 


Caps, Lower Case, and Figures. 


THE HOUSEKEEPER'S ANNUAL CRUSADE BEGUN. 

The Merry Scrubbing- brashes and Fiendish Tack-hammers getting in their work, and all is confusion 


Case 

No. 453. 


Long Primer Norman. 


Caps, Small Caps, and Figures. 


Under the Willow she’s Lain with Care, sang a Lone Mother while 


Cabinet 28. 
Case 
No. 438. 


F„ L. & Co. 


F., L. & Co. 


Two-line Brevier Norman. 


Caps, Small Caps, and Figures. 


Case 


Oh, Give me a Home by the Sea, where the 51 no. 


429- 


Double Pica Norman. 


Caps, Small Caps, and Figures. 


Growl & Tabby, Sausagem 


Case 

No. 440. 


Double Great Primer Norman. 


Caps, Small Caps, and Figures. 


F., L. & Co. 



RAL 



NG 



A r 


r 

T 





H 





L 


0 


Two-line Peari. Light-face Condensed No. 2. 


Caps and Figures. 

MacK., S. 

& J- HER MAJESTY’S FAVORITE COSMETIC APPLIED TO THE ROYAL BLOODS 


Case 

No. 441. 

Cabinet i 2. 
Case 
No. 179. 


Two-line Nonpareil Light-face Condensed No. 3. 


Caps and Figures. 


MacK., S. 

& J. 


Case 


CONTEST OVER THE BIRTHPLACE OP COLUMBUS N o.x 79 . 


Two-line Brevier Condensed. Caps and Figures. 

MacK., S. Case 

& J- RUMORS OF SHORT HOURS IN JUNE 18 no.,* 


MacK., S. 

& J. 


Two-line Long Primer Condensed. 


Caps and Figures. 

GOLD HUNTING IN THE FAR WEST 


Case 

No. 180. 



























































LIGHT FACES. 


Two-line Pica Condensed 


Caps and Figures. 


MacK., S. 

& J. 





L\L LIBRARY 


Cabinet 12. 
Case 
No. 181. 


Two-line English Condensed. Caps and Figures. 

M " THE NATIONAL MUSEUM -1 

Long Primer Light-face Condensed. Caps, Lower Case, and Figures. 

F„ L. & Co. 1 HAVE LEARNED IN MY BRIEF EXPERIENCE 

That the Ways of the Average Country Editor were Indolent and Slovenly 2(13 

Case 

No. 182. 

Pica Light-face Condensed. Caps, Lower Case, aud Figures. 

Case 

To Sit iii Solemn Silence in a Dull Dark Dock, in a Pestilential Prison No. 183. 

Great Primer Light-face Condensed. Caps, Lower Case, and Figures. 

K,L ' U "' With a Life Long Lock, awaiting the Sensation of a 

Case 

No. 184. 

Double Small Pica Light-face Condensed. Caps, Lower Case, and Figures. 

Short Sharp Shock, from a Cheap Chippy 

Case Nos. 

185, 186. 

Double English Light-face Condensed. Caps, Lower Case, and Figures. 

F L &Co Chopper on a Big Black Block 1892 

Case 

No. 187. 

F., L. & Co. 

Double Great Primer Light-face Condensed. Caps, Lower Case, aud Figures. 

Down where the Daisies Grow 

Case 

No. 188. 


Fouk-line Pica Light-face Condensed. 


Caps, Lower Case, and Figures. 


MacK., S. 

& J- 


Dark Plutonian Shore. 


Cabinet ii. 

Case 

No. 174. 


»5 



















OLD STYLES. 


Two-link Nonpakeil Old Style Condensed. 


Caps, Lower Case, and Figures. Caimnet i 


F., L. & Co. T" 


Fhe World is full of Fools, and lie who would not wish 


Two-line Brevier Old Style Condensed 
F., L. & Co. 'T' 


Caps, Lower Case, and Figures. 


Fhe World is full of Fools, and lie who would 


F., L. & Co. 


Two-line Long Primer Old Style Condensed. 


Caps, Lower Case, and Figures. 


The World is full of Fools, and lie 1,2 


Two line Pica Old Style Condensed. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


F., L. & Co. 


Two-line Great Primer Old Style Condensed. 


Caps, Lower Case, and Figures. 


The World is full of Fools 


Two-line Pica Old Style Condensed. 


Caps and Figures. 


MacK., S. 
& J. 


FHE WORLD IS FULL 01 




Two-line Great Primer Old Style Condensed. 


Caps and Figures. 


MacK., S. 

& J. 


THE WORLD IS 1238 


Two-i.ine Pearl Franklin Title. 


yj 

Caps and Figures. 


F., L. & Co. 


THE WORLD IS FULL OF FOOLS, AND HE WHO 


Case 
No. 1. 

Case 
No. 2. 

Case 
No. 3. 

Case 


Fhe World is full of Fools, and no. 


Case 
No. 5. 


Case 
No. 6. 


F., L. & Co. 


Two-line Nonpareil Franklin Title. 


Caps and Figures. 


THE WORLD IS FULL OF FOOLS, AND H iS 


Case 
No. 6. 

Case 
No. 7. 

Case 
No. 7. 


Two-line Brevier Franki.in Title. 


Caps and Figures. 


F., L. & Co. 


THE WOREL) IS FUEL OF 189 1 


Case 


No. 8. 


16 




























OLD STYLES. 


F., L. & Co. 


Two-line Long Primer Franklin Title. 


Caps anti Figures. 


THE WORLD IS FULL !!! 


Two-line Pica Franklin Title. 


Caps and Figures. 


F., L. & Co. 


THE WORLD IS FIJLI 


Two-line Great Primer Franklin Title. 


Caps and Figures. 


F., L. & Co. 


THE WORLD IS 


Pica Old Style. 

F., L, & Co. 


Caps, Small Caps, Lower Case, and Figures. 
I'he World is full of Fools, and he who would not wish to see one 


F., L. & Co. 


Great Primer Old Style. 


Caps, Small Caps, Lower Case, and Figures. 


The World is full of Fools, and he who would not 


Double Small Pica Old Style. 


Caps, Small Caps, Lower Case, and Figures. 


F., L. & Co. 


The World is full of Fools, and he who 


Double Pica Oi.d Style. Caps, Small Caps, Lower Case, and Figures. 

The World is full of Fools, and he 


Double English Old Style. 


Caps, Small Caps, Lower Case, and Figures. 


The World is full of Fools, and 


Double Great Primer Old Style. Caps, Small Caps, LowerCase, and Figures. 

f., l. & Co. ^p HE \y ORLD i s full of i 89 


Douiu.k Paragon Old Style. Caps, Lower Case, and Figures. 

The World is F ull of 


Four-line Pica Old Style. Caps, Lower Case, and Figures. 

The World is Full ? 


Cabinet i. 
Case 
No. 9. 

Case 
No. 10. 

Case 
No. 11. 

Case 
No. 12. 


Case Nos. 

13. I 4- 

Case Nos. 

15, 16. 

Cabinet 2. 
Case Nos. 
17, iS. 

Case Nos. 

19, 20. 

Case Nos. 
2r, 22. 

Case 
No. 23. 

Case 
No. 24. 












RUNICS. 



Brevier Runic Condensed. Caps and Figures. 

MacK., S. 

& J. POINTS ARE NOT OF EQUAL ANTIQUITY WITH PRINTING, THOUGH NOT LONG 1298 

Cabinet 5. 

Case 

No. 65. 

Long Primer Runic Condensed. Caps and Figures. 

MacK., S. 

& J. POINTS ARE NOT OF EQUAL ANTIQUITY WITH PRINTING, THOUGH 191 

Case 

No. 66. 

Pica Runic Condensed. Caps and Figures. 

MacK., S. 

& J- POINTS ARE NOT OF EQUAL ANTIQUITY WITH PRINTING 

Case 

No. 65. 

MacK., S. 

& J. 

Double Brevier Runic Condensed. Caps and Figures. 

POINTS ARE NOT OF EQUAL ANTIQUITY6 

Case 

No. 66. 

MacK., S. 

& J- 

Pica Runic Extended. Caps, Lower Case, and Figures. 

Points are not of Equal Antiquity with Printing 74 

Case 

No. 67. 

MacK., S. 

& J- 

Great Primer Runic Extended. Caps, Lower Case, and Figures. 

Points are not of Equal Antiquity with 

Case Nos. 

68, 69. 

f:, l. & Co. 

Long Primer Runic Condensed. Caps, Lower Case, and Figures. 

THIS RUSTIC SEAT IN THE OLD APPLE TREE 

With its O’erhanging Golden Canopy of Leaves that illumine with Hues 183 

Case 

No. 330. 

F., L. <Sr Co. 

Pica Runic Condensed. Caps, Lower Case, and Figures. 

Case 

Autumnal shall be our Place of Resting when Weary 1357 No 

* 0• 

F., L. & Co. 

Double Long Primer Runic Condensed. Caps, Lower Case, and Figures. 

Much Knowledge Enlightens the World 

Case 

No. 332. 

F., L. & Co. 

Double Great Primer Runic Condensed. Caps, Lower Case, and Figures. 

The Mummies of the Nile! 

Case 

No - 333 - 

































ANTIQUES. 

F., L. & Co 

Nonpareil Antique Condensed No. 2. Caps, Lower Case, and Figures. 

THE CURFEW TOLLS THE KNELL OF PARTING DAY 

The lowing Herd winds Slowly o'er the lea | the weary Plowman homeward plods his weary way and leaves 1899 

Cabinet i i . 

Case 

No. 159. 

F., L. & Co. 

Brevier Antique Condensed No. 2. Caps, Lower Case, and Figures. 

IT WAS A HAPPY DAY FOE US POOR MODERNS 

When the "Old Says” and "Ancient Sayings" were first introduced to Public notice, for without 98 

Case 

No. 160. 

Bruce. 

Brevier Antique Condensed, (Old.) Caps, Lower Case, and Figures. 

CONSCIENTIOUS AMUSEMENT HALL UNDER REFINED 

Patronage. Littlejokers and Thimblebimber’s Moral Recreations. Free Admission for Sports 81 

Cabinet io. 

Case Nos. 

i 47 , MS. 

F., L. & Co. 

Long Ppimer Antique Condensed No. 2. Caps, Lower Case, and Figures. 

HOW CANST THOH WALK THESE STREETS, 

Who has trod the green turf of the Prairies ? How canst thou breathe this air, 

Case 

NO. l6l. : 

F., L. & Co. 

Pica Antique Condensed No. 2. Caps, Lower Case, and Figures. 

Who hast Breathed the sweet Air of the Mountains? 1234567 

Case | 

No. 162. 

F., L. & Co. 

Great Primer Antique Condensed No. 2. Caps, Lower Case, and Figures. 

Ah? ’tis in vain that with Lordly Looks thou dost 

Case 

No. 163. 

F., L. & Co. 

Nonpareil Old Style Antique. Caps, Lower Case, and Figures. 

ENGLAND HAS TO UNDERGO THE REVOLT OF THE COLONIES, 

To submit to defeat and separation, to shake under the Volcano of the French Revolution, to 1878, 679 

Cabinet 7. 

Case 

No. 97. 

F.. L. & Co. 

Brevier Old Style Antique. Caps, Lower Case, and Figures. 

GRAPPLE AND FIGHT FOR LIFE WITH HER GIGANTIC 

Enemy Napoleon, and to gasp and Rally after the Tremendous Struggle. 4123—56—7890 

Case 

No. 98. 

F., L. & Co. 

Long Primer Old Style Antique. Caps, Lower Case, and Figures. 

FILL UP EACH HOUR WITH WHAT WILL LAST, 

Buy up the moments as they go, the Life above, when this is past, 99 

Case 

No. 99. 

F., L. & Co. 

Pica Old Style Antique. Caps, Lower Case, and Figures. 

Is the Ripe Fruit of the Life below. 1891. 1098 $66,779 

Case 

No. 100. 

F., L. & Co. 

Great Primer Old Style Antique. Caps, Lower Case, and Figures. 

Essential Oils of Honesty taken Inwardly 

Case 

No. 101. 

F., L. & Co. 

Double English Old Style Antique. Caps, Lower Case, and Figures. 

Narrow Minded Men. 78 

Case 

No. 102. 


i9 





















































ANTIQUES. 


MacK., S. 
& J. 


Bruce. 


MacK., S. 

& J. 


MacK., S. 

& T. 


MacK., S. 
& J. 


MacK., S. 
& J. 


MacK., S. 

& J. 


Agate Antique No. 5. Caps, Lower Case, and Figures. CABINET 6. 

THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH. CclSe 

Between a Vicious Dog and an Irate Prospective Father-in-law with Thick-soled Boots, Love’s Course is 1398 No. 8l. 


Brevier Antique No. 5. Caps, Lower Case, and Figures. 

THE COURSE OF TRUE LOVE NEVER DID RUN 
Smooth. Between a Vicious Dog and an Irate Prospective Father-in-law with 


Long Primer Antique No. 5. 


Caps, Lower Case, and Figures. 


THE COURSE OF TRUE LOVE NEVER 
Did run Smooth. Between a Vicious Dog and an Irate Prospective 131 


Pica Antique No. 5 


Caps, Lower Case, and Figures. 


The Course of True Love never did Run Smooth. Betw 


Case Nos. 
82 to 85. 

Case 
No. 86. 

Case 
No. 87. 


Great Primer Antique No. 5 


Caps, Lower Case, and Figures. xt^o 

MacK., S. Lase JNos - 

& J- The Course of True Love never did 187 ss.s,. 


Double Pica Antique No. 5. 

MacK., S. 

& j- The Course of True Love never 


Caps, Lower Case, and Figures. Case Nos 

90, 91. 


Double English Antique No. 5. 


Caps. Lower Case, and Figures. 


The Course of True ? 1 


Case Nos. 


9 2 > 93 - 


Double Great Primer Antique No. 5 . 


Caps, Lower Case, and Figures. 


The Course of Tr 


Double English Antique. 


Caps, Lower Case, and Figures. 


The Course of True Love 165 


Pica Antique No. 3. 


Caps, Lower Case, and Figures. 


MacK., S. 

& j. Physical Vice Destroys the Body and Ruins the Mind 


Great Primer Antique No. 6 . 


Caps, Lower Case, and Figures. 


F„ L. & Co. 


MacK., S. 


Points are not of Equal Antiquity 1 


Double Small Pica Antique. 


Caps, Lower Case, and Figures. 


& j. 


The Light Fantastic Toe Displayed 


MacK., S. 
& J. 


Double Great Primer Antique. 


Caps, Lower Case, and Figures. 


Misdirected Effort 78 


Case Nos. 
94 , 95 - 

Case 
No. 96. 

Cabinet io. 
Case Nos. 
157 , 158 - 

Cabinet 4. 
Case 
No. 64. 

Case 

On Stand. 

Cabinet 20. 
Case Nos. 
3 i 7 , 318. 


20 






























ANTIQUES. 



MacK., S. 

& J. 

Pearl Antique Extended. 

THE -WORLD IS FULL OF 

Caps, Lower Case, and Figures. 

FOOLS, 

Cabinet 3 . 

Case 

jft-nd lie wlio would not see one must not 

only ls:ee:p a-way from 

No. 43. 

F., L. & Co. 

Nonpareil Antique Extended. Caps, Lower Case, and Figures. 

THE! WOELD IS FULL OF FOOLS, 

And lie wh.o would, not -wish, "to see one must not 

Case 

No. 44. 

F., L. & Co. 

Brevier-Antique Extended. 

THE WORLD IS FULL 

-A-tlcL Ih_e -wlio -would not w 

Caps, Lower Case, and Figures. 

OF FOOLS, 

^isli to see one 

Case 

No. 45. 

F„ L. & Co. 

Long Primer Antique Extended. 

Tlie "W^ozroILcL is full. of 

Caps. Lower Case, and Figures. 

Fools 18 VS 

Case 

No. 46. 

F., L. & Co. 

Pica Antique Extended. 

Caps, Lower Case, and Figures. 

Case 

TIbxo ~W"o=rl_cL is ±“u_i 

.1 of fools 

No. 47- 

F., L. & Co. 

Great Primer Antique Extended. 

Caps, Lower Case, and Figures. 

Case 

Tire A7FozclcL is 

ZEPull 10 

No. 48. 

F., L. & Co. 

Double Small Pica Antique Extended. 

"Pm'~n i,<=t 

Caps, Lower Case, and Figures. 

not of 

Cabinet 4 . 

Case 

No. 49. 




F., L. & Co. 

Double English Antique Extended. 

■ ^ • ■ 

Caps, Lower Case, and Figures. 

Case 

i — oi iiiR are no 

No. 50. 





F., L. & Co. 

Great Primer Modern Antique. Caps, Lower Case, and Figures. 

Where are you going, my Pretty Maid ? None of 

Cabinet 23 . 

Case Nos. 

35°> 35 1 • 

F., L. & Co. 

Double Small Pica Modern Antique. Caps, Lower Case, and Figures. 

Your Business, sir, she said. $18.55 

Case Nos. 

35 z > 353* 


2 
























ANTIQUES. 

Brevier Skeleton Antique. Caps, Lower Case, and Figures. Cabinet 27. 

F., L. & Co. ENGLAND HAD TO UNDERGO THE REVOLT OF THE COLONIES, TO SUBMIT TO DEFEAT Case 

Anil Separation, to shake under tie French Revolution, to Grapple and Fight lor the Lite with her Gigantic Enemy Napoleon, 35 No. 419. 

Long Primer Skeleton Antique. Caps, Lower Case, and Figures. 

Case 

F„ L. & Co. FILL UP EACH HOUR WITH WHAT WILL LAST, BUY UP 

The moments as they so, tie Life Above, when Ibis Is past, is He Ripe Fruit ot the Life Below. 1234567 Xa 42 °- 


Pica Skeleton Antique. Caps, Lower Case, and Figures. 

Case 

f„ l. & co. Dffle ]( atlire ju jj er jujj celestial Blenis, aai Zenitliwaril all their Coruscations Sends No 42I 


Great Primer Skeleton Antique. 

F„ L. & C., p a[)e| , W j|| pjjjjju j J)j reG tO 

Caps, Lower Case, and Figures. 

Case 

ry of Every Soul lit the Town 1357 n 0 . 422 . 

F., L. & Co. 

Double Small Pica Skeleton Antique. 

Giving Fill Name aid Age, D 

Caps, Lower Case, and Figures. 

Case 

escriptiofl, Weight aid Size. u 

F., L. & Co. 

Double English Skeleton Antique. 

No Event will k Too 

Caps, Lower Case, and Figures. 

O 3 .S 0 

Small to Apar. 1234 - 

MacK., S. 

& J- 

Nonpareil Antique No. 2 on Brevier Body. Caps, Lower Case, and Figures. ,, „ 

1 ’ ’ h Cabinet 28. 

THERE IS BEAUTY IN THE BELLOW OF THE BLAST Case Nos 

Young man, look not mournfully into the past. Wisely improve the present. It is thine. $67.90 , 

43 6 > 437- 

F., L. & Co. 

Great Primer Antique Condensed. Caps and Figures. 

Case 

THE LIBERAL BACHELORS WITH GENTLE MAIDS 5 G » stand. 

MacK, S. 

& J- 

Double English Antique Condensed No. 4. Caps, Lower Case, and Figures. ,, 

1 ’ ’ 0 Cabinet 20. 

Man wants but Little here Below 10 c 7T 

o 1 3 1 4* 

Double Great Primer Antique Condensed. Caps, Lower Case, and Figures. 

“U Peeps Behind the Scenes 276 

Canon Antique Condensed. Caps, Lower Case, and Figures. 

“ s The Itata Surrendered 5 »•' 


22 





































EXTRA CONDENSED. 


Bub's ier Extra Condensed No. 2. Caps, Lower Case, and Figures. 

F„ L. & Co. TIME AND PATE HAVE NO DELIGHT TO PASS AWAY THE TIME, UNLESS TO SPY MY SHADOW 

In the Sun, Descant on mine own Deformity : and therefore since I cannot prove a Lover, to entertain these fair well-spoken days, I am derter- 


F., L. & Co. 


Long Primer Extra Condensed No. 2. 

MINED TO PROVE A VILLAIN, 

01 these dajs. Plots have laid, inductions dangerous, by drunken prophecies, libels and dreams, to set my brother Clarence 


Caps, Lower Case, and Figures. 

AND HATE THE IDLE PLEASURES 


Pica Extra Condensed No. 2. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


And the lving in deadly hate the one against the other. And it king Edward be as true and just as I am 


Great Primer Extra Condensed No. 2. 


Caps, Lower Case, and Figures. 


MacK., S. 

& j. Subtle, talse, and treacherous, this day should Clarence closely he mewed up. 1891-2 


F., L. & Co. 


Double Pica Extra Condensed No. 2. 

live, thoughts, down to m 


• m nt 


) 0 


Double Great Primer Extra Condensed No. 2. 


F., L. & Co. 


Caps, Lower Case, and Figures. 


il the eath that t 


Caps, Lower Case, and Figures. 



titer retain, situ lie, ilain Clarence. I do love Ihet 


MacK., S. 

& J. 


Five-line Pica Extra Condensed No. 2 

c 


Caps, Lower Case, and Figures. 


arence still lives. 


J' 



reigns 


Pica Extra Condensed No. (>. 


Caps, Lower Case, and Figures. 


MacK., S. 

& J. 


The Toiling Grangers’ Coming Reward: the Happy Farmers viewing-their Crops and 


Great Primer Latin Condensed. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


Old time is the Drollest of Wags and Puzzles the World with his Rules 


Double Pica Latin Condensed. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


He gave all To-day to the Wise and To-morrow $10 


Cabinet 5. 

Case 
No. 70. 

Case 
No. 71. 

Case 
No. 72. 

Case 
No. 73. 

Case 
No. 74. 

Case 
No. 75. 

Case 
No. 76. 

Case Nos. 

77- 78- 

Cabinet 13. 

Case 
No. 198 . 

Case 
No. 199 . 













































































F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


MacK., S. 
& J. 


MacK., S. 

& J- 

F., L. & Co. 

F., L. & Co. 

F., L. & Co. 

F., L. & Co. 

F„ L. & C<>. 


F., L. & Co. 


GOTHICS. 


Nonpareil Telescopic Gothic No. i>. 

THE SHADES OF NIGHT WERE FALLING FAST WHEN THROUGH AN ALPINE VILLAGE PASSED A Y.UTH 123456 


Caps and Figures. CABINET 27 . 

Case 

No. 412. 


Nonpareil Telescopic Gothic No. 5. 


Caps and Figures. 


Nonpareil Telescopic Gothic No 7. 


Caps and Figures. 


THE ANNE ARUNDEL COUNTY STRAWBERRIES ARE APPRECIATED IN OTHER PLACES THAN THE VICINITY OF THEIR GROWTH. ANNAPOLIS. 123 


Nonpareil Gothic No. 2. 


HUSH MONEY IS WHAT THE YOUNG HUSBAND PARTS WITH FOR PAREGORIC SOOTHING 

Nonpareil Gothic No. 3 . Caps, Lower Case, and Figures. 

HE THAT IS THY FRIEND INDEED HE WILL HELP THEE IN THY NEED. 

Words are easy like the wind, Faithful Friends are hard to find, every Man will be thy Friend whilst thou hast 


Brevier Gothic No. 4 . Caps, Lower Case, and Figures. 

THE SHADES OF NIGHT WERE FALLING FAST AS THROUGH THE SANCTUM 
Door there passed a fiend in human shape, who cried as soon as he reached the Editor's side, more copy 

Long Primer Gothic No. 4 . Caps, Lower Case, and Figures. 

HAPPY THOUGHTS OF OTHER DAYS CROSSED MY MIND 
I thought I was a Rough Boy once more, and Felt the Presence of my Mother’s Slipper 

Pica Gothic No. 4. 


Great Primer Gothic No. 3. 


Chasing His Satanic Majesty around a Stump 9 


Double Pica Gothic No. 3. 


Caps, Lower Case, and Figures. 


Steamships go Daily from 15 


Case 


WHO BORE M DST SNOW AND ICE A BANNER WITH THE STRANGE DEVICE-EXCELSIOR j^o 4 , , 



Caps. Cabinet 14. 

Case 


No. 214. 


Case 


On Stand. 


Nonpareil Gothic No. 7. Caps, Lower Case, and Figures. r '. q 

1 ; c A Ml NET o. 

A WASP CAME BUZZING TO HIS WORK, AND VARIOUS THINGS DID TACKLE Case 

He stung a Boy and a Dog, then made a Rooster cackle ; upon an Editor's cheek he settled down to drill, he prodded there an hour No. 113. 


Case 

No. 114. 

Case 

No. 115. 


Caps, Lower Case, and Figures. p 

Vk ft 1*1 IN L X lL . 

THEN ALL HAIL TO THE BRIGHT RISING MORN Case 

And as the Summer Sun Beams over the Quiet Woods and Leas. 1289730 No. 51. 


Caps, Lower Case, and Figures. ... o 

CABINET o. 


Case Nos. 
116, 117. 


Case Nos. 


18, 119. 


24 






















GrOTHK '8. 


F., L. & Co. 

Brevier Gothic No. 5. Caps, Small Caps, and Figures. q 

A \ j l us K I 2 0 . 

Every Man has an Opportunity to Succeed, whatever his Vocation $57 Case 

No. 442. 

F., L. & Co. 

Long Primer Gothic No. o. Caps, Small Caps, and Figures. 

Case 

Messrs. Cognac and Champagne, Boon Companions. 189 No 443 

F., L. & Co. 

1 

Pica Gothic No. 5. Caps, Small Caps, and Figures. 

Case 

Never Strike a Moustache when it’s Down 10c no. 444 . 

F., L. & Co. 

Great Primer Gothic No. 5. Caps, Small Caps, and Figures. 

Case 

A Thing of Beauty always a Joy n,, w . 

F., L. & Co. 

Doe hlk Small Pica Gothic No. 5 Caps, Small Caps, and Figures. 

Case 

Much Needed Recreation ^ 

F., L. & Co. 

Double English Gothic No. 5. Caps. Small Caps, and Figures. 

Case 

N ECESSITIES OF Ll FE $ 1 .. 

F., L. & Co. 

Nonpareil Gothic No. 4. Caps, Lower Case, and Figures. 

Ca I>IN I T <S. 

POINTS ARE NOT OF EQUAL ANTIQUITY WITH PRINTING, Case 

Though not long after its invention the necessity of introducing stops or pauses in Sentences 1 2 °- 

F., L. & Co. 

Brevier Gothic No. 3. Caps, Lower Case, and Figures. 

Case 

SO THIS BRAVE KNIGHT IN ARMOUR BRIGHT, 

No. 12 2. 

Went gaily to the Fray; He fought the fight, but ere the night. 123456 

F., L. & Co 

Long Primer Gothic No. 3. Caps, Lower Case, and Figures. 

Case 

SOME VILLAGE HAMPDEN, THAT, WITH 

Dauntless breast, the little Tyrant of his fields withstood. 79 

F., L. & Co. 

Pica Gothic No. 1. Caps, Lower Case, and Figures. 

Case 

Intense Excitement in Camp! Woods full of Indians No . 124. 


2 5 












GOTHICS. 

F„ L. & Co. 

Nonpareil Gothic Extended. Caps, Lower Case, and Figures. 

THERE IS BEAUTY IN THE BELLOW OF THE BLAST, SEE 

Cabinet 29. 

Case 

No. 454. 

F., L. & Co. 

Brevier Gothic Extended. Caps, Lower Case, and Figures. 

THERE’S MUSIC IN THE HOWLING OF THE GALE 

Case 

No. 455. 

F., L. & Co. 

Long Primer Gothic Extended. Caps, Lower Case, and Figures. 

FOURTH OF JULY, DAY WE CELEBRATE 

Case 

No. 456. 

F., L. & Co. 

Pica Gothic Extended. Caps, Lower Case, and Figures. 

NEVER WILL 1 CONSENT, NEVER 

Case 

No. 457. 

Bruce. 

Brevier Gothic Condensed No. 5. Caps, Lower Case, and Figures. 

SUPPOSED TO HAVE BECOME ENTANGLED IN A LADY’S CRINOLINE. 

French Marble Door-steps and Iron Scraper Missed from a Gentleman's Residence on H Street 

Cabinet 28. 

Case Nos. 

43 °> 43 i- 

MacK., S. 

| & J- 

Brevier Gothic. Caps, Lower Case, and Figures. 

CAILY THE TROUBADOUR STRIKES 

For More Pay and till He Receives it His Cuitar He will not Play 

Cabinet 7. 

Case 

No. 100. 

MacK., S. 

& J. 

Great Primer Gothic. Caps, Lower Case, and Figures. 

Her Step was Light and Airy as the Tripping 

Cabinet 9. 

Case Nos. 

128, 129. 

MacK., S. 

: & J. 

Douhle Small Pica Gothic. Caps, Lower Case, and Figures. 

Of a Fairy Spanish Fandango. 1889 

Case 

No. 130. 

MacK., S. 

j & J- 

Two-line Brevier Gothic. Caps and Figures. 

FRIENDS TRIED AND TRUE 1892 

Case 

No. 131. 

F., L. & Co. 

Brevier Gothic Condensed No. 7. Caps, Lower Case, and Figures. 

BREATHED BY THE LIPS OF SLANDER MAY DESTROY 

A noble Reputation, have a care of What You Say and more of What You Do, for Great Effects from 

Cabinet 8. 

Case 

No. 125. 

F., L. & Co. 

Long Primer Gothic Condensed No. 7. Caps, Lower Case, and Figures. 

OH SLEEP THAT KNOWS NOT CARE, THAT KNOWEST NOT PAIN, 

Come gently breathing. Sorrow charming King, Vail from his eyes this light 25 

Case 

No. 126. 

F., L. & Co. 

Pica Gothic Condensed No. 7. Caps, Lower Case, and Figures. 

Oh Lovely Night, thou art Holy and Calm. Thy Soft. Dewy Breath 

Case 

No. 127. 


26 






















GOTHICS. 

MacK., S. 

& J- 

Pica Gothic Condensed. Caps, Lower Case, and Figures. 

Fill Up each Hour with what will last, buy up the Moments as they pass 23 

Cabinet 9. 
Case Nos. 

1 3 2 < r 33 - 

MacK.. S. 

& J.' 

Two-i.ine English Gothic Extra Condensed. Caps, Lower Case, and Figures. Ctsc 

The Toiling Grangeis' Coming Reward, the Happy Farmers 219 no. , 34 . 

F., L. & Co. 

Nonpareil Gothic Condensed. Caps, Lower Case, and Figures. 

HE THAT IS THY FRIEND INDEED HE WILL HELP THEE IN THY NEED; 

Words are easy like the wind. Faithful Friends are hard to find. Every man will be thy friend whilst thou hast wherewith to spend 

Cabinet 7. 
Case 

No. 103. 

F., L. & Co 

Brevier Gothic Condensed. Caps, Lower Case, and Figures. 

WITH CONSTANT MOTION AS THE MOMENTS GLIDE-BEHOLD 

In Running Life the Rolling Tide! For none can stem by Art, or stop by Power the Flowing Ocean 18945 

Case 

No. 104. 

F., L. & Co. 

\ 

Long Pfimer Gothic Condensed. Caps, Lower Case, and Figures. 

BY LIGHTNING STROKE HE PAINLESS DIED 

Electricity Bound, Harnessed, Controlled and made Useful to Man—Girding the Earth No- '° 5 ' 

F., L. & Co. 

Pica Gothic Condensed. Caps, Lower Case, and Figures. 

Case 

Newly invented Mechanism regulating Impression constitute a Very 1234 No Io6 

F., L. & Co. 

Great Primer Gothic Condensed. Caps, Lower Case, and Figures. 

Case 

Effective, Substantial, and Quite Perfect Arrangement No . 

F., L. & Co. 

Double Small Pica Gothic Condensed. Caps, Lower Case, and Figures. 

Welcome as Flowers that Bloom in the Spring 

Case 

No. 108. ; 

MacK., S. 

& J. 

Double English Gothic Condensed. Caps, Lower Case, and Figures. 

Unrelenting Hand of Father Time 76 

Case 

No. 109. 

MacK., S. 

& J. 

Double Great Primer Gothic Condensed. Caps, Lower Case, and Figures. 

Line Our Cheeks and Temples 

Case 

No. I TO. 

MacK., S. 

& J. 

Canon Gothic Condensed. Caps, Lower Case, and Figures. 

With His Inexorable Pen 

Case 

No. 111. 

MacK., S. 

& J- 

Four-line Pica Gothic Condensed. Caps, Lower Case, and Figures. 

Crowned with Flowers 

Case 

No. 112. 


27 





































(CLARENDONS. 


F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


F., L. & Co. 


Bruce. 


MacK., S. 
& J. 


MacK., S. 
& J. 


MacK., vS. 

& J- 


MacK., S. 
& J. 


MacK., S. 
& J. 


MacK., S. 
& J. 


MacK., S. 

& J- 


Long Primer Clarendon Condensed. Caps, Small Caps, Lower Case, and Figures. 

Westward the Course of Empire takes its way 
The Great West! Unbounded wealth of both Mineral and Agricultural Resources 12 

Pica Clarendon Condensed. Caps, Small Caps, Lower Case, and Figures. 

We all have to Pay the Debt of Nature. Every day some one 

Great Primer Clarendon Condensed. Caps, Small Caps, LowerCase, and Figures. 

Words Stir up Anger and Anger brings forth Blows 


Douri.e Small Pica Clarendon Condensed. Caps, Lower Case, and Figures. 

This World is full of Beauty as Other 65 

Double English Clarendon Condensed. Caps, Lower Case, and Figures. 

Worlds Above, and if we did our 9 

Long Primer Clarendon. Caps, Lower Case, and Figures. 

TIMELY PRESERVATION OF THE GEMS OF THE MOUTH 
When the Lips of Beauty are Parted in a Smile they Disclose a Row of Pearls 1898 

Small Pica Clarendon. Caps, Lower Case, and Figures. 

THEN ALL HAIL TO THE BRIGHT RISING MORN 

And as the Summer Sun Beams over the Quiet Woods and Leas. 123456 

Nonpareil French Clarendon. Caps, Lower Case, and Figures. 

TEE COURSE OF T7.CE LOVE NEVER DID SUN SMOOTH BETWEEN 
A Vicious Dog and an Irate Prospective Father-in-Law with Thick Shoes—Love’s Course is Sometimes Decidedly Bough. 123156780 

Brevier French Clarendon. Caps, Lower Case, and Figures. 

AN EDITOR SAT AT HIS INLAID DESK, HIS EROW 
Was Furrowed with care; in front of Him lay a Poetic Gem that a School-girl had brought 12315 

Long Primer French Clarendon. Caps, Lower Case, and Figures. 

ON THE BEAUTIES OF THE SPRING 

But the Editor frowned an Awful Frown while he Chewed at a Piece of String. 1S34 

Pica French Clarendon. Caps, Lower Case, and Figures 

When Knights of Old with Shields of Gold sang Merrily 36 

Great Primer French Clarendon. Caps, Lower Case, and Figures. 

Their Lay Crowned with Beautiful, Fragrant Flowers 12 

Double English French Clarendon. Caps, Lower Case, and Figures. 

To thine Own Self be True. 189652 

28 


Cabinet ii. 
Case Nos. 
164, 165. 

Case Nos. 
166, 167. 

Case Nos. 
168, 169. 

Case Nos. 
170,171. 

Case Nos. 
172, 173 - 

Cabinet 12. 
Case Nos. 
189, 190. 

Cabinet 22. 
Case Nos. 
340 , 341 - 

Cabinet 9. 
Case 
No. 135. 

Case 
No. 137. 

Case 
No. 138. 

Case 
No. 139. 

Case 
No. 140. 

Case Nos. 


141, 142. 










BOLD FACES AND ALDINES. 


MacK., S. 

& J- 


F., L. & Co. 


Nonpareil Title. 


Caps, Lower Case, anil Figures. 

LITTLE KINDVKSSI.S LIGHTEN THE HI ltl)E\ 

Ol Life. Kin<l Words and Deeds I lion Should Accord when Unman Harks are Kent I*.a 


Case 

Ox Stand. 


Nonpareil Bold Face. Caps, Lower Case, and Figures. Cabinet io. 

HOARDING SCHOOLS AND YOUNG LADIES’ ACADEMIES Case 

Ofter Imperfect Facilities tor True Learning and Tend more toward Superficial than otherwise No. 143* 

Brevier Bold Face. 


F., L. & Co. 


Long Primer Bold Face. Caps, Lower Case, and Figures. 

F., L. & Co. TO SIT IN SOLEMN SILENCE IN A DULL 

Dark Dock, in a Pestilential Prison with a Life Lorn* Lock. 


F., L. & Co. 


Pica Bold F ace. Caps, Lower Case, and Figures. 

Money is the Root of Evil, Give me the Root $5 


F., L. & Co. 


F., L. & Co. 


Nonpareil Aldine. Caps, Lower Case, and Figures. 

PRINTING OFFICE DEVIL AND HIS MM EEOCS PRACTICAL PRANKS 
Providing a Hell of liis own. Inveigling Small Boys to inspect imaginary Vermin between Column Rules 1*2345 

Brevier Aldine. Caps, Lower Case, and Figures. 

0 WHERE ARE THE FRIENDS OF MY YOUTH l I CRY IN TONES 
of the Bard. Echo answers back and replies, They are made into Fairbanks* Best Lard 


F., L. & Co. 


Long Primer Aldine. Caps, Lower Case, and Figures. 

SOME SEASONABLE SIGNS OF SUMMER 
When lee Cream Parlors Open, and the Mosquito Tunes his Festal Lyre 


Pica Aldine. 


F., L. & Co. 


Caps, Lower Case, and Figures. 

Blythe she was and like a Fairy, and her Shoes were No. l)s 


Great Primer Aldine. 


F.. L. & Co. 


MacK., S. 

& J. 


Fraudulent Endowment Orders, $1,000 for $1 


MacK., S. 

& J. 


Breater Doric. Caps, Lower Case, and Figures. 

SEASONABLE SIGNS OF THE SUMMER 

The Mosquito Tunes his Festal Lyre, and the Mercury 12345 

Long Primer Doric. Caps, Lower Case, and Figures. 

CLIMBS UP IN THE FAMILY THERMOMETER 
When Ice Cream Parlors Open for Business 123456789 


Case 


Caps, Lower Case, and Figures. 

the latest elements of destructiveness 

Cyclones ami Bursting Mill-dams prevents the Monotony of Life 12S1) No. 144. 


Case 
No. 145. 


Caps, Lower Case, and Figures. 


Case 

No. 

146. 

Case 

Nos. 

'49, 

iS°- 

Case 

No. 

!5 r 

Case 

No. 

I 5 2 - 

Case 

Nos. 

1 53, 

154- 

Case 

Nos. 

'55, 

x 5 6 - 


Cabinet 20. 
Case Nos. 

3 0 7,3o8. 

Case Nos. 
3°9, 310. 


2 9 













































F., L. & Co. 


MacK., S. 

& J. 


MacK., S. 

&J. 


MacK., S. 

& J. 


MacK., S. 

& J. 


MacK., S. 
& J. 


MacK., S. 
& J. 


MacK., S. 

& J. 


MacK., S. 
& J- 


MacK., S. 

& J. 


MacK., S. 

& J. 


MISCELLANEOUS FACES. 


Twelve-point Copygraph No. 3 . 


Caps, Lower Case, and Figures. CABINET 18 . 


(_''isc Nos 

The gentle race of Flowers are lying in their 1234 

285, 286. 


Ten-point Ionic No. 2. (Scheme.) Caps, Lower Case, and Figures. 

THEN THIS POOR MAN BEGAN TO THINK 
What Power there was in Printer's Ink; jumped out of Bed and 


Pica Fashion. 


Please Take Notice Again we Present You 


Great Primer Fashion. 


Caps, Lower Case, and Figures. 


Grand Excursion to Bay Ridge 5 


Case 

On Stand. 


Caps, Lower Case, and Figures. Cabinet 20 . 


Case 
No. 311. 


Case 
No. 312. 


Great Primer No. I. 


Caps, Small Caps, Lower Case, and Figures. 


Case 


Bound for Oklahoma, the Land Flowing 1235 on stand 


Double Small Pica Roman No. 2. Caps, Small Caps, Lower Case, and Figures. Cabinet 23 

-■ ^ CciS 6 Nos. 

FOILING, Sorrowing, Rejoicing 12.357 ,,, t0362 . 

Six and Nine-point Excelsior. Caps and Figures. 

COURAGEOUS ARRAY For Exhibition New Year s Day. 

Cabinet 13. 

Case 

No. 200. 

Twelve and Eighteen-point Excelsior. Caps and Figures. 

CONSCIENCE Makes Cowards t7 

Case 

No. 201. 

Eighteen and Thirty-six-point Excelsior, Mortised. Caps and Figures. 

"The ]hrkors of Jazjness 

Case Nos. 

201, 202. 


Thirty-six-point Excelsior, Mortised. Caps and Figures. 

FARMERS’ LAW! 

Case 

No. 202. 


Fancy Initials and Eighteen-point Excelsior. 


j^KAN I), Jjim STIC, 


Caps. 



Case Nos. 
201 , 202 . 


30 












































SHADED FACES. 

MacK., S. 

& J. 

Long Primer Slanting Shaded. Caps, Lower Case, and Figures. 

CONSIDER THE LILLIES OF THE FIELD, HQW THEY CROW, 

They Tell not, neither do they Spin, yet I say that Soloman in all his dory was not Arrayed 

Cabinet 29. 

Case 

No. 460. 

MacK., S. 

& J. 

Pica Slanting Shaded. Caps, Lower Case, and Figures. 

Case 

Seaside Resorts, Surf Bathing the Summer Recreation. Frolicing in the Waves No. 461. 

MacK., S. 

& J. 

English Slanting Shaded. Caps, Lower Case, and Figures. 

Sally Tripping, Lightly Skipping, Flock the Maidens to the Shipping 671 

Case i 

No. 462 

Great Primer Slanting Shaded. Caps, Lower Case, and Figures. 

MacK., S. 

& j. Zimri the Beautiful had set upon a Wasp , We heard him 

Case 

No. 463. 

MacK., S. 

& J- 

Double Small Pica Slanting Shaded. Caps, Lower Case, and Figures. 

In Bays of Old, when Knights were Bold, $152 

Case 

No. 464. j 

MacK., S. 

& J- 

Double English Slanting Shaded. Caps, Lower Case, and Figures. 

My Love is a Rover without a Care 

Case 

No. 465. 

MacK., S. 

& J. 

Pica Caxtonian. Caps, Lower Case, and Figures. 

The Idle Rejoiced at the News, Put their Hands 

Cabinet 13. 

Case 

No. 191. 

MacK., S. 

& J- 

Great Primer Caxtonian. Caps, Lower Case, and Figures. 

In their Pockets and Slept. 185627 

Case ; 

No. 192. 

MacK., S. 
& J. 

Double Pica Caxtonian. Caps, Lower Case, and Figures. 

Believing the Promise 187 

Case 

No. 193. 


























SHADED FACES. 


MacK., S. 

& J. 


MacK., S. 

& J- 


MacK., S. 

& J. 


MacK., S. 

& J- 


MacK., S. 

& J. 


MacK., S. 

& 1. 


MacK., S. 
& J. 


Long Primer Copperplate. 


Caps and Figures. 


xMacK , S. 

& j- THIS OEDILK WAS ST.RI K l^B THE HOUM 


Great Primer Copperplate. 


Caps and Figures. 


KISMET DDCHTI'M) 1NEY (!)’T 



Caps and Figures. 


Pica Arboret. 


Three-line Nonpareil Arboret. 


Caps and Figures. 

HAPPY LAUGHING BOYS 


Double Pica Arboret. 


1L 



p * 1 

|iu<L 


__ 


l v 1 U— Ill 


Caps and Figures. 




Double Pica Outline Shaded. 


Caps. 




INI 


Four-line Pica Outline Shaded. 


.11 

LrJ 






Caps and Figures. 


LrJJ 




rr 



Four-line Pica Ornamented. 


m :c 


Caps and Figures. 

Oj 





v JiAJ 






A £ 


Cap.inet 13. 
Case 
No. 195. 

Case 
No. 195. 



MacK., S. Case 

& j mrnmwm 1 n d er 5 □ f th e p y r a m i d 5 x „ I94 . 


Case 
No. 194. 


Case 
No. 194. 


Case 
No. 197. 


Case 
No. 197. 


Case 
No. 196. 


32 






















































MacK., S. 

& J. 


MacK., S. 

& J- 


MacK., S. 

& J. 


MacK., S. 

* J- 


MacK., S. 
& J- 


MacK., S. 

& J. 


MacK., S. 

& J. 


MacK., S. 
& J. 


MacK., S. 
& J. 


MacK., S. 

& J. 


TEXTS. 


Great Primer Fancy Text. Caps and Lower Case, 

little of u'liter, little 0tains of $aml, lif;tl\e the Hriglilu {f}tean and tlje ? ? 


Two-line Small Pica Fancy Text. 


Caps and Lower Case. 


IJount uient ||{cwintu to % "bottom of tlic X*cn, ijiesscil ii| lib Xcui ? 


Double English Fancy Text 

ii_ ^ij> 


Caps and Lower Case. 


(f [|e ]§m\ tn tlje jBier, llje lilting to {‘rood § 




Double Great Primer Fancy Text 

4 d 


Micer, sec; 


Caps and Lower Case. 

A .l... Til 


\ Soldier had better smell tpuiipounlcr than il| n 


A 


Double Paragon Fancy' Text. 
t i 

m 


Caps and Lower Case. 


UHnc b a IKorljiT, Strong Iji'inb, b lj aging 


Four-line Pica Fancy Text. 


Caps and Lower Case. 


(1lioice llriites, mid liquors 


Two-i.ine Pica Queen Ann Text. 


f-pand JPullen on a ^iinjmen’s f «n M aud $ ullt 


Assorted Caps, Lower Case, and Figures. 

on 


Thirty-six-point Queen Ann Text. 

t 


Assorted Caps, Lower Case, and Figures. 


leaked tlje |j|eadou) ^u\v: initk } 3 ai J l§ a t) lid 


Cabinet 15. 
Case 
No. 223. 


Case 
No. 224. 

Case 
No. 225. 

Case 
No. 226. 

Case 
No. 227. 

Case 
No. 228. 

Case Nos. 
229, 230. 


Case Nos. 



Two-line Great Primer Open Text. 


1 C 


* mrttzt ^ 


Caps and Lower Case. 
-A 



Tyvo-line Paragon Open Text. 


Caps and Lower Case. 


+ + 

11 HIT 


4 


i|cn| 


IdiitjH fit use j^ttaerji 


x, a a 
1 



S 


Case 
No. 205. 

Case 
No. 206. 











































34 





































TEXTS. 


MacK., S. 
& J. 


MacK., S. 

& J. 


MacK., S. 

& J. 


Great Primer Treasury. Caps, Lower Case, and Figures. 

* Hun 'Hurrhi b/d htrn b^krh bid 'ibimimi 'ijyumU 


Cabinet 14. 
Case 
No. 207. 


Douule English Treasury. 


Caps, Lower Case, and Figures. 


4 bt/J 



Douui.e Great Primer Treasury 
)^,lrl r 


Caps, Lower Case, aiul Figures. 




MacK., S. 

& J. 


MacK., S. 

& J. 


MacK., S. 

& J. 


Eighteen point Graphic Text. 


JFtam llrnl § Imm ia I to Spring bring frnmt of 9$ 


Caps, Lower Case, and Figures. 


Twenty-pour-point Graphic Text. 


is m 

J 


Caps, Lower Case, and Figures. 


|| B| No. 211. 


Case 

No. 208. 

Case 

No. 209. 

Case 

No. 210. 

Case 



Thirty-six-point Graphic Text. 



V' J S J 
Pica Model Peace Shaded. 


Caps, Lower Case, and Figures. 

■ : s 

1 IV ;|V 1 



Case 


No. 212. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


Constant fivcUcvniion of the J>ntnc Vilens is fponotonous 


Great Primer Modei. Peace Shaded. 


Caps, Lower Case, and Figures. 


Cabinet 25. 
Case 
No. 384. 

Case 


F., L. & Co. 


-ILUiqlvtest J-Uxpcs arc the iXX ost it tcctimi 4 no. 3 8 5 . 


Douhee Smaei. Pica Modei. Peace Shaded. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


Cacti Ixuq Cccbc cmcc jiauetl |flm« 


Douih.e English Modei. Peace Shaded. 


Caps, Lower Case, and Figures. 


F., L. & Co. 



■ ■ nar'-' 


rs 




Double Long Primer Ali.emanic. Caps, Lower Case, and Figures. 

*\I A l_ 

n j. the jVuelqe J^oohed flach n< he (f limher! (he Jftill find smn ISaud 


Case 

No. 386. 

Case 

No. 387. 

Cabinet 15. 
Case 
No. 233. 


35 



































MacK., S. 

& J. 


MacK., S. 

& J. 


MacK., S. 
& J. 


MacK., S. 


MacK., S. 

& J. 


MacK., S. 

& J. 


MacK., S. 

& J- 


TEXTS. 


Great Primer Scribe Text. 


Caps, Lower Case, and Figures. Cabinet 14. 


8j)c |)cikr tfjai pities tjjc 8SorIb, ®jje Jjanb tljat |iocks ll n Crable 


Case 
No. 216. 


Two -line Small Pica Scribe Text. 


Caps, Lower Case, and Figures. 


Case 


Speculators on Wall Street, gulls’ anb gears’ Retreat 108 n 0 . 2 , 7 . 


MacK., S. 

& J- 


MacK., S. 

& J. 


Double English Condensed Text. 



O' 


Caps, Lower Case, and Figures. Cabinet 25. 

Case 
No. 392. 


0 /\'\ ♦ 


Great Primer Title Black Shaded. 


Caps, Lower Case, and Figures. 


Case 


JSplgm&ift Hitin i'B. N o. 393 . 


Double Pica Title Black Shaded. 


Caps, Lower Case, and Figures. 


& j in UtaS Hfpti S n <, 3 


Case 
Jo. 394. 


Double Great Primer Title Black Shaded. 


Caps, Lower Case, and Figures. 




+-X No. j 


Case 
395- 


Double Pica Ripple Text. 


Caps, Lower Case, and Figures. 

1 ’ >0 Cabinet 14. 


Jlottm in a Shntlis ftim’C a Kllotltst 11 iolet III 


Case 
No. 213. 


Double Great Primer Ripple Text. 


3 





Caps. Lower Case, and Figures. 

til 



Case Nos. 
214, 215. 


English Teutonic. Caps, Lower Case, and Figures. Cabinet i 

MacK., S. 

& J. l^FMuehei) ac> she ^civc it, ~£oo)unci ^onm at her 

No. 234. 


Case 


Double Small Pica Teutonic. 


Caps, Lower Case, and Figures. 


Case 


(Graceful "THuUles^ UBare anb H8 rerun $1^898 No 


: 35 - 


Double Pica Teutonic. 


Caps, Lower Case, and Figures. 


8 23looblliii^tji 'Hllo&quito& <5 


Case 
No. 236. 



































MacK., S. 

& J. 


MacK., S. 
& J. 


MacK., S. 


& J- 


MacK., S. 

& J- 


MacK., S. 

& J- 


MacK., S. 

& J- 


MacK., S. 

&J. - 


MacK., S. 

& J- 


MacK., S. 
& J. 


MacK., S. 

& J- 


MacK., S. 

& J- 


TEXTS. 


a Sloping Black. Caps, Bower Case, and Figures. 

Deffiirtment (/j’lnk'j and fir infer.';, the Q /'// ficr (Renter . •; Jfriend. $1o.2o 


Great Primer Sloping Black. 


Caps, Lower Case, and Figures. 


3 it ill in iicfincd j |ections ofj \Vn^hiiii\tnn f Swnnifioadle 


Double Small Pica Sloping Black. 


Ca]>s, Lower Case, and Figures. 


, H flic (I'itij of the (fiod==hs5 


Double English Sloping Black. 


War, mid 3 hi i n fijeyartim'itl 


Caps, Lower Case, and Figures. 

«>l Itt'Tttt til 


Douhi.k Small Pica Title Text. 


Caps and Lower Case. 


j^miling ^foriunc maltcs^ool.s, buf <|foitmic tttaItc*s in i.‘»c ill ru 


Douisle English Title Text. 


Caps and Lower Case. 


tahe bach \\\c 'll j cart that hou ^f) a refit, lijere 


Double Cheat Primer Title Text. 


Caps and Lower Case. 


ULllio lillcliroch i\obin? ^(, *;aiil the ^jF^U 


Double Paragon Title Text. 


Caps and Lower Case. 


IXliisliitifljtflii, the itii of inaitg tecs 


Doubi.e Pica Black Text. 


Caps, Lower Case, and Figures. 


^1)05 tijnt iinodunij at imj SOoor? 



Case 

No. 406. 

Case 

No. 407. 

Case 

No. 400. 

Case 
No. 401. 



Three-line Nonpareil Pencraft. 


Caps, Lower Case, and Figures. 


Elegant Display cf Typographical Designs 16 

O I -J -J I o I o 


Case 
No. 403. 

Case 

No. 408. 

Cabinet 29. 
Case 
No. 458. 


Three-line Nonpareil Pencraft. 


Ornamental Caps, Lower Case, and Figures. 



merican ( ^y^eelmen , s Y onthly J^unove 


Case 

^ * No. 458. 
























TEXTS. 


F., L. & Co. 


Brevier Old Black. Caps, Lower Case, and Figures. 

TUHttb constant Motion as tbc foments Olibc, 

.IBebolb in IRnnning Xit'c tbc IRolling Cibc! jFor none can Stem bv> Z-lrt, or stop 14C* 


Long Primer Old Black. Caps, Lower Case, and Figures. 

By? power tbc IRollmo ©cean or tbc jfleettng Ibour 
But Mave bv> Mare, pursueb arrives on shore anO each 12345678 


Pica Old Black. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


Great (Ir\? anb Xittlc Mod! Chat is Mbat tbc flDan saib 


F„ L. & Co. 


Cheat Primer Old Black. 


Caps, Lower Case, and Figures. 


When Ibc was Shearing a Ibog. Sample. 


Double Small Pica Old Black. 


Caps, Lower Case, and Figures. 


*F., 'L. & Co. 


Hncient aitb /Ibobern Characters 23 


Long Primer Black Condensed Text. Caps and Lower Case. 

MacK., S. 

& J. C’Hina’s XVaU.s arc doomed. America for Americans, o Hr ’i'uathrn Utust C'hl 



Pica Black Condensed Text. 


Caps and Lower Case. 


Jrov Watts that arc ihtrh and Iricfcs that arc-Vain the Vtcathcn (fhincc is 


MacK., s. 
& T. 


Great Primer Black Condensed Text. 


Caps and Lower Case. 


.ilt is the Jliscveet Jttan, not the Witty, uho guides Conversation 


Two-line Small Pica Black Condensed Text. 


Caps and Lower Case. 


MacK., S. 

& J. 


Iwrntn (t'vrok^rautirs, ifiptian (burcas. (foono 


Canon Black Condensed Text. 


Caps, Lower Case, and Figures. 


MacK., S. 

& J- 


die §taipotilf Derail) 


Cabinet 21. 

Case 
No. 324. 

Case 
No. 325. 

Case 
No. 326. 

Case 
No. 328. 

Case 
No. 329. 

Cabinet 14. 

Case 
No. 218. 

Case 
No. 219. 

Case 
No. 220. 

Case 
No. 22 1 . 

Case 
No. 222. 


38 


















TEXTS. 


Long Primer Light Model Black. 


Caps, Lower Case, and Figures. C\r 


INET 2i. 


F., L. & Co. if turn can pay yonv Debts, and do not pan them. (God null put Case 

lion in Hell fov it. 'i’he compositor thvem it in 75 . No. 319. 


Pica Light Model ISi.ack. 


Caps, Lower Case, and Figures. 


Case 


F„ L. & Co. 


National (Guards’ i'uicntij-jfivst Annual jjjU'ccption, ISO No. 320. 


Cheat Pkimer Light Model Black. 


Caps, Lower Case, and Figures. 


Case 


p j ^ 

foiling, 21 ejo icing, J>ovrouhng, (Omuavcl 123 no. 32 i. 


Douhle Small Pica Light Model Ui.ack. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


He has no Desire to influence 245 


Case 


No. 32: 


Douhi.e English Light Model Black. 


Caps, Lower Case, and Figures. 


F., L. & Co. 


^Xapincj dxEavis j§>ubirerted c 


Case 

A No. 323. 


Pica Model Black. 


Caps, Lower Case, and Figures. 


Cabinet 25. 

f., l. & Co. Hachclov with (Gentle IHahlcns Hoin 234 

No. 388. 


Cheat Pkimeh Model Black. 


Caps, Lower Case, and Figures. 


f-l.&co. Thvcc inttle iVlaicls from School arc Mlc 3 


Double Small Pica Model Black. 


Caps, Lower Case, and Figures. 


Hine Hittle Indians up a Tree 23 


Double English Model Black. 


Caps, Lower Case, and Figures. 


F„ L. & Co. 


Hnutevs in ^unt*cvland 3t 


MacK., S. 
& J- 


Five-line Pica Modern Tf,\t. 

rwt 

iU*V 


Caps and Lower Case. 




\v 


Case 

No. 389. 

Case 

No. 390. 

Case 

No. 391. 


Cabinet 15. 
Case 
No. 218. 




















GERMAN TYPE. 

MacK., S. 

& J- 

Long Primer German No. 3 . Caps, Low^er Case, and Figures. 

Tic l)Ol)c 3tufc, iucld)c Me HudiM'ittfcrfunft miter ben (Jrfmbintflcn Deo inenfd>lid)cn Wcifteo ciii* 
niinint, hat Me (il)rc Me (skburtbftdtte bcrfelbcti \u fcin, bud Wegcnftanbc ciiteo lebhaften nod) uidit 

Case 

In Hali.. 

Great Primer German No. 90 . Caps, Lower Case, and Figures. 

-D R U C F 

OJutcnbcrfl bat He erften von tbnt flefrnuften 3acf)cn nuter ntit 

Case 

In Hall. 

Pica Condensed German Title. Caps, Lower Case, and Figures. 

MacK., S. 

& J- Too 5B«d) Dcr Motur lic^t feft ^a^rtaufeiUint (tttforfdjlagrn nor Hem 5B(icfc 

Case 

In Hall. 

MacK., S. 

& J. 

Pica German Title. Caps, Lower Case, and Figures. 

X'rtt? s ^ucb bev '??rttnv liefelt ^afortatifenfcen rtufftefcfolafl 

Case 

In Hall 

Long Primer German Title. Caps, Lower Case, and Figures. 

MacK., S. 

& J TSu - ' 3$ud) t>er 5iatiir lio^t fett Ciabrtiiufenbeii iiufftcfddagen our 

Case 

In Hall. 

MacK., S. 

; & j. 

Two- line English Condensed German Title. Caps, Lower Case, and Figures. 

Tit* @ttf|(ifdjr it Is Scltftmtdjc 

Case 

In Hall. 

Great Primer German Condensed No. 491 . Caps, Lower Case, and Figures. 

Case 

f) RUCF 

Til? $iirf) tier Wittur lieflt frit Snftrtaiifcnbcii niifjtcjriiliijtcii i-. hall. 

Double English Condensed Black. Caps, Lower Case, and Figures. 

MacK., S. 

&J l)flsl)jttgton i'nnn anti Crust Co. $5.(0 

Cabinet 15. 

Case 

No. 237 . 


40 



















PIECE FRACTIONS, MATHEMATICAL SKINS. ACCENTS, ETC. 


MacK., S. 

& J- 


MacK., S. 

& J- 


MacK., S. 

& J- 


MacK., S. 
& J- 


MacK., S. 

& J. 


Ryan. 


R Y A N. 


Ryan 


Nonpareil Piece Fractions. 


1 2 3 4 A 6 7 


123 1 A 6 7*0 


3 n Irt 


! 2 !4 If 


38 2* §0 


5 « 


31 4 7 

40 no 


4 JJ RI 37 12}'! 

112 75 112 5 e / rt 


Ryan. 


Mac K., S. 

& J. 


Nonpareil Miscellaneoi’8 Signs. 

1 8 n a H ^ HP / V > - s . K ?> © • D f -• c Q V 5 H 

< 5 © 8 S$g'C © * Of h 

H s s V' f «. □ : ;; | 

Nonpakkii. Accents. 


a a a a a a 


*• e t* i* e e 


ii ti ti ii ii u 


i i i T i I 
v v V v V 


II O (> II o o 


II II II II 


Nonpareil Accents, Roman and Italic. 

A \ K K i,' N \ \ \ k • \ A A £ k i S’ #• #i 

'••••< i ) i i J i 6 ii •> H // n it ii // ii ii it ,) 


Two-nick Nonpareil Accents, Roman and Italic. 

A K K hi N {, X A K k ft N c ;i A a a a c c i* i‘ f 1 i i’ ri (i o <> o ft ft ft ft 

- I . I /> A K A ti ii ii ii it i i' r r J } j i ft ft ft it r~> ti it ti ii 


A A \ V A E E K 


13renter Accents. 


a a a a a a e e e e e e i i l i i i 


n o o n o o u ii u u u u a e i o u ft 


ft (l (1(1 ff (l P f’e 6 C r I I l t II n ft ft O O ft ft It ft If If If II C e I II 0 II 


a a a a a a e e e e e 


Mren ier Accents and Piece Fractions. 


e i l i i I l 6 ii 6 o o 6 u « u it u u l» <• i,*. <1 ni n <j t v 


i -y i b . • • i * 


1 2 b 7 \ b 

■l A 4 h * 1 n 71> 


I 2 3 4 !i Ii 7 * *1 i» 


1 2 .‘3 4 5 6 7 8 9 0 


Small Pica Piece Fractions. 


1 1 1 i i I J 13 . 17 

2 3 4 5 ti 8 1 0 1 6 2 0 


1 2 3 4 5 6 7 8 9 0 


Cabinet 31 
Case 
No. 482. 


Case 

No. 483. 



Case 

No. 485. 


C ase 

No. 486. 


Hrevikk Accents. 

a A a A a K !•: k i ; : r i 1 i 1 S r> <> <» o 0 r f 1 r Case 

r i 1 i i’ n 11 11 0 ii f> (’ r 1 j- f- 


No. 487. 


Case 
No. 488. | 


Hkkyiek Accents, Italic. 

.( a a J E E e E I i i i d n 6 d E f r r a i ,y o Case 

No. 489. 


Case 

No. 490. 


Case 

No. 491. 































ACCENTS, MATHEMATICAL SIGNS, GREEK, ETC. 

M'acK., S. 

& J. 

Small Pica Superiors ani> Inferiors. 

abcdefg hij klmnopqrstuvw xyz 

abcdefghij k lmnopqrstuvw xyz 

1234567890 

12345 6 7890 

Cabinet 31. 

Case 

No. 492. 

MacK., S. 

& J. 

Small Pica Accents, Roman and Italic. 

A A £ ft a A £ E A a a a si ft eeeeG f i i i I I 666066 

u ft ft ii ft ft y y y V y y C </ X X 

A A EE d&ddati eWee$ null 666666 uuuimu yyyyyy ( V .V /7 

Case 

No. 493. 

MacK., S. 

& J. 

Small Pica Miscellaneous Signs. 

R 5 » 5 ^ ft* • .0 '—. x + —; a* f || x 

< □ Z : 1 

::g--A±X = + '<%% 

Case 

No. 494. 

MacK., S. 

& J- 

Small Pica Greek Accents. 

■> r ' / f/ ' O v 7 )' •< * .. A. „ 5 C ' / - - r\ v ?• .t 5 .. A. 1 r * f <■/ ^» 0 v ' 

a a a a a 0. o. a 0. a a a a a 0. t s e s s s c s £ s a s s £ ittiitectetcti 

1 ’ \ t rf ^ \ •> r ' » r! t\ V •>. .* .. 

000000 0 0 0 00000 0 0 yyyyyy y y uu 

CO CD CO CO CD CD CD CD CO <JJ CD CD CD / y 7y 7 y r ( ^ 7y ^ 7y 7y 7y 7y 7y f ) Zj 

-*■ T \ / y f/ 7 a. ■* <■/ 0 0 O •• ~ ic t 

Case 

No. 495. 

MacK., S. 

& J. 

Small Pica Greek. 

/ n r j 1 : z // e / a j .v .v j n // r i r r <t> x >r u 

u ft 6 y d s £ ^ 6 * d c x / y v c 0 sr y a ' r y <p y /i </> <0 

Case 

No. 496. 

MacK., S. 

& J. 

Pica Accents, Roman and Italic, and Signs. 

4- V + A A E E (,: X A A EE V 5; / ± \ Case 

a a a ii e 6 e e 1 i i i 0 6 6 ii ii ii ii ii c fi No. 497 . 

. / H A h ( ,\ a a a a e e e e 11 1 / 0 0 0 0 a u u u p n 

Long Primer Superiors, Lower Case. (Scheme.) 

jyj' j ^ CO a c d e ! g h i j k 1 m ii o p q r r t u v \v xyz 

1 2 a 4 0 U 7 8 9 0 

Case 

On Stand. 

M., L. & Co. 

Long Primer Superiors, Caps. (Scheme.) 

ABCDEFUH1JKLMN0PQRS TUVWXYZ 

123450780 0 

Case 

On Stand. 


4 2 





























FIGURES. 


Nonpareil Gothic No 3 . 


Regular Font—Large. 


MacK., S. .. Case 

£ T 

123456789 2345 78099 080566 609797 44466609 234567540 9097570 5578890087 1234567882235 On STAND. 


F., L. & Co. 


F., L. & Co. 


Nonpareil Aldtne. Regular Font and Figure Case. 

12 3 4 r> tf J S !) 10 II 2-2 42 34 30 37 39 43 45 7S 70 its Ml 54 55 «S III 234568S 


Nonpareil Title. (New.) Regular Font. 

12 3 4 5 6 7 8 » 10 II IS 13 14 15 16 17 18 10 20 25 36 55 56 67 78 18 


Brevier Bold Face. (Old.) 


Regular Font. 


MacK., S. 

& J. 


M., L. & Co. 


Long Primer Ionic No. 2 . (Scheme.) 


Regular Font. 


MacK., S. 


Great Primer Modern No. 3 . 


Regular Font. 


Cabinet io. 
Case 
No. 150. 

Case 

No. 143. 


MacK., S. . .. Case 

& J 12 3 4 5 6 7 8 9 0 7 8 9 10 453 6796 7904 5575214 1739666 745 q n Stand 


Brevier Doric Regular Font— Large. Cabinet 20. 

Case 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 22 No. 308. 


Case 


123456789 1345 3456 23457 179725 3456789 54678314 Qn Stand. 


Small Pica Gothic Italic No. 2 . Regular Font. Cabinet 28. 

Case 

& J. 123456789 10 2356 66569 765432 1123456 78904567 908777 AT 

No. 435. 


Double Brevier Modern. Figure Case. Cabinet 24. 

1,1 1 2 3 4 5 <i 7 8 10 11 12 13 14 15 16 17 1824 ^, 72 


Case 


&j.’ 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 167 0n stand. 


Case 


Great Primer Modern No. 4 . Regular Font. 

&j’ 123456788 9 10 11 12 13 14 15 7890 o» stand. 


Great Primer Clarendon Condensed. 


Regular Font. f * 

b Cabinet ii. 

f., l. & c °. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 


Great Primer Modern Antique. 


Regular Font. Cabjnet 


F.L.&co, 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1624 v Case 

No. 351. 


Great Primer Antique. 


Regular Font. 


F.. 


l. & Co. 1 2 3 4 5 6 7 8 9 10 26 5647 56789 6467909 


Case 

On Stand. 


43 

























FKtURES. 


MacK., S. 


Double Long Primeh Doric. 


Figure Case. Cabinet 24 . 

1 2 3 4 5 6 7 8 9 10 12 256 ^ 


Bruce. 

Double Small Pica Roman. (Old.) Figure Case. 

1 2 3 4 5 6 7 8 9 10 11 12 13 149 

Case 

No. 374. 

F., L. Co. 

Double Small Pica Modern Antique. Regular Font. 

1 2 3 4 5 6 7 8 9 10 46 48 5689 

Cabinet 23. 
Case 

No. 353. 

MacK., S. 

&J- 

Double Great Primer Antique. Figure Case. 

1 2 3 4 5 6 7 8 9 10 123 

Cabinet 24. 
Case 

No. 376. 

Bruce. 

Double Great Primer. Figure Case. 

1 2 3 4 5 6 7 8 9 10 1.77 

Case 

No. 375. 

MacK., S. 

& J. 

Four-line Pica Aldine. Figure Case. 

1 2345678 905 

Case 

In Hall. 

M„ L.& Co. 

Four-line Pica Doric. Regular Font. 

13345678 

Case 

On Stand. 


Five-line Fica Antique. 


Figure Case. 


MacK , S. 
& T. 




234567890 


Cabinet 24 . 
Case 
No. 377. 


Five-link Pica Ionic. 


Figure Case. 


MacK., S. 
& J. 


Case 

No. 378. 



Eight-i.ink Pica Antique. 


Figure Case. 



Case 

No. 379. 


44 














POSTER FACES. 


Double English Roman. MacK., S. & J. Caps, Lower Case, aud Figures. 

Columbia, the Gem of the Ocean. 1891 


Double Great Primer Roman. MacK., S. & .1. Caps. Lower Case, and Figures. 

The Nation’s Joy and Pride! 


Four-line Pica Roman. MacK., S. & J. Caps, Lower Case, and Figures. 

For Rent, Potomac Flats 


Double Great Primer Roman Condensed. F., L. & Co. Caps, LowerCase, and Figures. 


Look not upon the Wine when Bed 


Canon Antique Condensed. MacK., S. & J. Caps, Lower Case, aud Figures. 

Life’s Moments Swiftly Fleeting 


Four-line Pica Antique Condensed. MacK., S. & J. Caps, LowerCase, aud Figures. 

Jogging along through the World 


Four-line Pica Antique. MacK., S. & J Caps, Lower Case, and Figures. 

Birthplace of Columbus 15 


45 





















POSTER FACES. 


Double Great Primer Antique Black. 


Bruce. 


Caps, Lower Case, and Figures. 


5 Weary Travelers 


Double Great Primer Gothic. 


Bruce. 


Caps and Figures. 


3 SOMNAMBULISTS 


Four-line Pica Modern. 


Bruce. 


Caps, Lower Case, and Figures. 


Baccarat, Royal Game 


Four-line Pica Gothic. 


Bruce. 


Caps and Figures. 


OUR ENEMIES 


Four-line Pica Extended. 


Bruce. 


Caps, Lower Case, and Figures. 





mm 

lT 


M 





Five-line Pica Roman. 


MacK., S. ifc J. 


Caps, Lower Case, and Figures. 


Grand Humbug* 


Six-line Pica Antique Condensed. 


MacK., S. & J. 


Caps and Figures. 


SO SLIM AND SLICK 


46 









































Five-line Pica Round Gothic. 


POSTER FACES. 


MacK., S. &, J. 


Caps, Lower Case, and Figures. 


Presidential Aspirants 


Six-line Pica Antique Fancy. 


MacK., S. & J. 


Caps and Figures. 



Six-line Pica Tuscan Antique. 


MacK., S. & J. 


Caps and Figures. 


BLACK BIRD 


Six-line Pica Roman. 


MacK., S. & J. 


Caps, Lower Case, and Figures. 


Whiskers, 5 (?ts. 


Six-line Pica Round Gothic Oden. 


MacK., S. & J. 


Caps. 


BAY RUM 


Six-line Pica Antique Black. 


Bkuce. 


Caps, Lower Case, and Figures. 


Cocktails 


Seven-line Pica Antique Condensed. MacK., S. <fe J. 


Caps, Lower Case, and Figures. 


15 Normal Schools 


47 













































































Ten-line Pica Gothic Condensed. Caps and Figures. 




4 3 




































Four-line Pica Doric. 


POSTER FACES. 


Chicago Tyre Foundry. 


Caps, Lower Case, and Figures. 


Loan Me a Dollar 


Ten-line Pica Gothic. 


Caps, Lower Case, and Figures. 


buttermilk 


Fifteen-i.ine Pica Clarendon. 


Caps. 



Eighteen-line Pica French Clarendon Condensed. 


Caps. 
























OUTLINE FIG-URES. 







































































SPECIMENS 


OF 


UTS, RULES, BORDERS, 


LOGOTYPES, 


Check Ends and Ornaments. 














■ 















































































UR ASS RTLES. 


1 1 

2 2 

2 

3 F 

3 F 

T” " “ ' T 

- 

G G 

G 6 

7 7 

7 7 

8 F 

8 F 

9 F 

9 9 

10 10 

1(1 10 

It 11 

11 11 

12 12 

12 12 

13 13 

13 13 


2 
















































BORDERS. 



V 


O 

Minionette Border, No. 1. 


Minionette Border, No. 2. 




t 05BSE5HSHS2SHS2SBSHS2S2SESHS25BS2SHS2S25SS2SSSHSBS2SESHSHS25H525E5ES25ESE5ES252SS5E5ESE5E5252SB5E5E5H5E5252525ESES25E525EB l 

Minionette Border, No. 3. 


0 

0 

0 

0 


0 

0 

0 

0 


(o)[°]0000000[U0[l]00[°H°][2)[2l000000000000[2]00000000000000000000000000000000 

Minionette Border, No. I. 


Minionette Border, No. 5. 



V 

« 


1 

.. •«. ; t . ;<■ ••>: & 


& tv. ••»: :«•• ••»: :«• ••>: :«• ••>: :«• 

Minionette Border, No. t5. 

m 9 

o 
o 
o 

oooo.oooooooooo ooooooooooooooooooooooooooooooooooooooooooooooooo 

Minionette Border, No. 7. 

$ « 

o ^ 

Minionette Border, No. 8. 


Minionette Border, No. 9. 


Minionette Border, No. 10. 


Small Piea Border, No. 11. 




Small Pica Border. No. 13. 


OOOOOOOOOOOOOOOOOP 

Small Pica Border, No. 14. 


.0 


O o o o o o o 



















































































































































* 











































BORDERS. 



Small Pica Border, No. 15. 





Pica Border, No. 20. 






Pica Border, No. 21. 


0 ~', .*-*> 


Double Pica Border, No. 23. 
^ / 


c :W 




0 4 ' 


M ' • *-■ __' 


Double Small Pica Border, No. 22. 


Double Pica Border, No. 24. 





Double (Beat Primer Border, No. 25. 


< _ 


Four-line Pica Border, No. 26. 


4 







































































































































































ORNAMENTAL DASH RULES 



5 










































































































NCCO^ 


CIRCLES AXD OVALS. 



6 




















































































































































































































































































































































































































































7 




































































































8 





























































































































































































































































CORNER PIECES. 





9 







































































- 
























































































CHECK EXDS. 



io 












































































































CHECK ENDS, ORNAMENTS, HEAD AND TAIL PIECES 






































































































































HEAD AXD TAIL PIECES. 




I 2 






































































































































LETTER AND NOTE ELECTROS. 























LETTER AND NOTE ELECTROS. 




























































i5 
































PENSION CERTIFICATE. 





16 





















MISCELLANEOUS SEALS. 













































































MISCELLANEOUS SEALS. 











18 


























MISCELLANEOUS SEALS. 



19 




































% 

. 



















































• * 

























MISCELLANEOUS SEALS. 




■Pensions 


it 



20 































MISCELLANEOUS SEALS. 














































MISCELLANEOUS SEALS. 


LAN D$ 



22 


































































































































































MISCELLANEOUS SEALS. 



2 


70 


72 































































































■' 







^IIS( 'ELLANEOTS VK iNETTED. 




24 


















































































- 





WAR AND NAVY VIGNETTES. 



2 5 


















































































FLAGS 












27 































































































































. 





















































EA( 1 EES. 



28 



























29 





















3 ° 




























































# 



3 































































































PUBLIC BUILDINGS. 



34 






































































































































































































































































































































































PUBLIC BUILDINGS. 



35 





















































































































































































































































































































MARINE CUTS. 



38 


















































































































































































































































































MARINE CUTS 



39 































































































































































































































MARINE CUTS 



40 







































































MARINE CUTS 





21 








































































¥> 


0 











42 
























































































* 







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' 



















































































































































